Yessss

February 28, 2008
Posted by Jay Livingston
I had dinner last weekend with a group of people that included the voice of the New York Knicks. Since 1994, he has been doing the play-by-play for every Knicks game. And I had no idea who he was.

Now I’m not a big Knicks fan, but you’d think I’d have at least heard of him. My friends and relatives who are Knicks fans didn’t know of him either, and here’s why: he broadcasts the games in Spanish. His name is Clemson Smith Muñiz

I didn’t even know there was a Spanish basketball broadcast, but as Clemson said, the Spanish-speaking people in this media market far outnumber the entire population of Utah. (I did not point out that those three or four million Hispanics – or the basketball fans among them – would probably be happier if they could follow the Jazz rather than the Knicks.)

He reminded me of something else, an obvious point about the relation between content and structure. Announcers work for the team, not the TV or radio station. I should know that, right? After all, at some point in every broadcast they tell you that the descriptions and accounts blah blah blah are the property of the team. So are the describers and accounters.

That makes it harder for announcers to make trenchant criticisms of the team (a restriction that in the Knicks’ case might make for a lot of dead air time.). But there are ways around it. “I learned this from Marv,” Clemson said, “You don’t say, ‘This guy’s terrible.’ You say, ‘He’s six-eleven and he has one rebound.’”

There’s also a cultural factor. “When you do the games in Spanish, you’re more emotional than when you do them in English.”

He does the radio broadcast, so he has to do a lot more description than what TV announcers give. Out loud I imagined a sequence ending with Crawford coming off the pick for the 18-foot jumper, ending with the classic Marv Alpert “Yessss.”

I asked if there were a Spanish equivalent of that “yesss.”

“Si, señor,” he said, “Si, señor.”

I want to hear that. So I’m going to have figure out how to do that SAP thing on the TV. Los Knicks, 6-22 on the road, go into Atlanta tomorrow night with a one-game winning streak. If only they had a schedule brought to you by the letter “M” (Milwaukee, Miami, Memphis, Minnesota).

Quarterlife - Hybrid TV

February 26, 2008
Posted by Jay Livingston

A new television show starts tonight – Quarterlife. The show started on the Internet back in November. I didn’t hear about it until early this month and started watching because it was a Zwick/Herskovitz show. They are the guys who created thirtysomething, My So-Called Life (fifteensomething), and Once and Again (fortysomething). This time it’s twentysomething. I’ve seen thirty-two episodes. They’re short – about seven minutes each, not counting the credits.
The show was created as a hybrid. Quarterlife is not only the name of the show, it’s also a MySpace-like site that the characters use, posting their vlogs and sending vmail. But the creators of the show also made the site real, so that fans can use it in the same way the characters do.
During the writers’ strike, more people took to getting their fiction on the Internet, and the strike was based on the assumption that this trend would continue. I wonder how the format will affect the shows. Will shows created for the Internet be different? Will shows look different if they are shot for two-inch iPods as well as 52-inch Sonys? Will the content be different? So far the show seems to me not up to the level of Zwick and Herskovitz’s earlier shows. I think that’s because the seven-minute format forces them to use heavy-handed plot manipulations where an hour format (45 minutes) allows things to develop in ways that seem more “natural.”

Beyond content, there’s the McCluhan question: what is the message of this medium? Right now, you can go the Website and see vlog entries from the characters. Were these created specifically as Internet content, or are they “deleted scenes” from the show? It doesn’t really matter. More interestingly, you can also see vlog entries from fans that are indistinguishable from the fictional vlogs. You can read the blog entries of the characters, and apparently you can send them a message, “add to friends,” etc. I haven’t tried it. I haven’t been able to get into writing to fictional characters since I stopped sending letters to Santa. But then again, I’m like so twentieth century.

The Kids Are All Right

February 23, 2008
Posted by Jay Livingston

Poster presentations have long been a part of academic conferences. At the ESS today, in the Grand Ballroom, seventy undergraduates put up posters summarizing their work. Some of the posters were syntheses based on library research, but several of the students had done their own original work. These kids were better than all right, and there was a quite a diversity of method.


Sara Tomczuk (The College of New Jersey) has worked summers on Long Beach Island (“down the shore”). Motels, stores, and restaurants there bring girls from Eastern Europe to work, paying them far less than they would pay Americans. Sara interviewed some of these girls about the satisfactions and dissatisfactions of these arrangements.

* * * *

Erin Pollard (Ursinus) used official records and persistent telephoning to dig out information about the racial composition of private and public schools in five cities.

* * * *

Christa Vanet (Penn State, Abington) observed interactions between the homeless and the non-homeless.

* * * *

Tamaria Green and Regine Saintilien (The College of New Jersey) did a case study of a toxic waste dump slated to be located near a school. They got their information from the DEP, from their own attendance at a variety of meetings, even from Google-eye overhead photos of the area.

* * * *

Skye MacKay (University of New Hampshire) did a survey to find correlates of having been tested for HIV. Interesting, the largest beta was for age, not number of sexual partners.

* * * *

The graphics were often impressive, especially for those of us who remember the hand-drawn posters of the previous century. But even more encouraging was listening to so many students who were truly excited about their work – the process of research as well as the results.

A Roomful of Ethnographers

February 22, 2008
Posted by Jay Livingston

It was snowing on the Eastern Sociological Society meetings. Sociologists stood in the shelter of the Roosevelt Hotel.

Inside, in a small conference room, I found day two of the Miniconference on Tally’s Corner Forty Years Later. Ethnographers talking ethnography. They had some questions about what Liebow might have missed or how his interpretations might be incomplete. But all agreed the book is a classic, and they all had their well-thumbed copies.
Liebow was a tall white guy who hung around with black streetcorner men in Washington DC in the early 1960s. And he himself said that things had so changed by the end of that decade that the same project would have then been impossible.

And now? Most of people in that conference room today agreed that the major changes are crime and drugs. For the men in Tally’s Corner scuffling by with dead-end jobs, the streetcorner was a respite, a comfort, a haven for “identity reconstruction,” as Al Young put it. But now, the street is a place of anxiety, tension, and fear. Al quoted one of his informants on his way to a night shift job who was confronted by a few ten-year-olds on the bus.

“What are you ridin’?” asked one of the kids (what gang are you with?).

“I’m riding the Madison bus to work,” he said.

The kid hit him on the head with a beer bottle, and the man was so enraged that in a flash he had thrown the kid down and was on the verge of stabbing him with the 7-inch knife he carried for protection at that hour.

Reuben May, whose Living Through the Hoop is an ethnography of kids in a small Georgia city, had a similar take. Choices for these kids have narrowed. Either they’re inside the gym, or outside on the corner “slinging rock.”

(The panel: left to right, Reuben May, Deidre Royster, Katherine Newman, Al Young, Mitch Duneier.)

I’m sorry I missed Part I of this miniconference yesterday. I was told that Mitch Duneier reported on correspondence he’d come upon between Liebow and Daniel Patrick Moynihan, whose “Moynihan Report” came out after Liebow had done his research but before the publication of Tally’s Corner. The letters provide some backstory for both publications. And Herb Gans was in the conference room that day to add his own personal recollections of these men at that historic moment.