Filling in the Blanks

September 26, 2008
Posted by Jay Livingston

Sociology is about the social situation, about context, and how it shapes what people do, what they feel, what they see. The micro version is words. Show people cards with incomplete words

• S _ O R T
• R _ C E
• P O L I _ E
• S _ Y

Sport, Race, Police, Shy. That’s easy. Except if it’s an Asian woman showing the cards, people are more likely to see Short, Rice, Polite, Shy (why not Soy?).*

Which word you see depends on the cues in the immediate situation. It also dpends on your background, your expectations, your interests. Here’s a magazine whose graphics department thought they could afford to hide a few letters.


Those of us who do a lot of sewing would see instantly that the magazine is Butterick. But try showing it to your students. Or colleagues. They might fill in the blanks using a schema from some other (what’s the mot juste here?) background interest.

Me, I’ve just gotten the pattern for my Halloween costume. I figure I'll finish the basting next week, but the facing is going to require a lot of backstitching, and I just don't know how I'll manage.

* Gilbert, Daniel T. and Hixon, J. Gregory, “The trouble of thinking: Activation and application of stereotypic beliefs.” Journal of Personality and Social Psychology, Vol 60 (491, 509-517).

Hat tip to Doug at Photshop Disasters.

Randy Newman - Ambivalence and Irony

September 25, 2008
Posted by Jay Livingston

Randy Newman has perfect pitch. Maybe not for musical tones (or maybe he does, I have no idea) but cultural and political ones. He sings most of his songs in character, and the characters are a variety of unreliable narrators who embody different strands of American culture.

“Political Science,” written at least 35 years ago, still sounds like the voice of American foreign policy based on American exceptionalism – a belief in our inherent goodness and innocence, a disregard for the decent opinions of other countries, and a readiness to use violence on those who disagree.

No one likes us-I don't know why
We may not be perfect, but heaven knows we try
But all around, even our old friends put us down
Let's drop the big one and see what happens

We give them money-but are they grateful?
No, they're spiteful and they're hateful
They don't respect us-so let's surprise them
We'll drop the big one and pulverize them.

It’s a more closely reasoned version of John McCain’s “Bomb, bomb Iran.”

Most of Newman’s characters are not people like us or like him. But he makes us have some sympathy with them despite their distasteful ideas, even the anti-Semitic, anti-elitist, racist voice of “Rednecks.”* Instead of “Ebony and Ivory,” it’s Ambivalence and Irony.

The ambivalence haunts even the love songs, like “Marie,” which seems merely beautiful until you listen to the lyrics and realize that this guy is a cad.

And I'm weak and I'm lazy
And I've hurt you so
And I don't listen to a word you say
When you're in trouble I just turn away

And yet, his feeling is real.

In “The World Isn’t Fair,” the narrator drops his child off at an exclusive school and imagines a conversation with Marx

All the young mommies were there,
Karl, you never have seen such a glorious sight
as these beautiful women arrayed for the night
just like countesses, empresses, movie stars and queens
And they'd come there with men much like me –
Froggish men, unpleasant to see

It’s like Harold Brodkey’s line, “To see her in sunlight was to see Marxism die.”


I just saw Newman in concert at Carnegie Hall, so I could go on. But I realize this might not be what younger, blogger-rockers are looking for. (“My demographic,” Newman told the audience, “is white males, fifty-two to fifty-five.”) You can see Newman doing most of the songs he did at Carnegie Hall by going to YouTube and searching for the concert he did in Stuttgart two years ago. But to hear his more recent political song, “A Few Words in Defense of Our Country,” catch him at the MacWorld expo.

--------------------
* “Rednecks” is another song from the 70s that could have been written last week (except maybe for the refrain line about “keepin’ the niggers down.” Even rednecks don’t speak that explicitly today).

Just Coincidence, Right

September 24, 2008
Posted by Jay Livingston

Clinton surplus inherited by Bush:
$300 billion

Bush deficit:
$400 billion

Amount Henry Paulson says he needs to bail out the US economy:
$700 billion

Bear With Us

September 23, 2008
Posted by Jay Livingston

In my post a few weeks back about stuff kids bring to college, I had a photo of a teddy bear lying atop a pile of belongings that included pink bed linens. Obviously, it belonged to a girl. (There was a purse in the picture, but even without it. . . .)

A couple of days later, Lisa at Sociological Images had a post reminding us that pink was once the color for boys. She linked to an article by Ben Goldacre in the Guardian.

The Sunday Sentinel in 1914 told American mothers: “If you like the colour note on the little one's garments, use pink for the boy and blue for the girl, if you are a follower of convention.”

Goldacre uses this bit of history to debunk the claim recently made by evolutionary psychologists that girls’ preference for pink was an outcome of evolution.

But what about the teddy bear? Isn’t there something feminine, a maternal instinct perhaps, that leads girls to keep these soft, childhood objects? It is only girls, right?

Wait, now I remember seeing NYC sanitation trucks with a teddy bear mounted on the grill like a bowsprit mermaid. And Sebastian Flyte in Brideshead Revisited who takes his bear Aloysius with him to Oxford.

Now there’s a DVD* about a Teddy bear snapshot exhibition by Canadian Ydessa Hendeles – thousands of photos from the early twentieth century of people posing with their bears. And it’s not just girls.

*The DVD is of a documentary film by Agnès Varda, who interviews the visitors to the exhibit.

Hat tip to Magda