Music and Violence

December 15, 2008
Posted by Jay Livingston

Music hath charms to soothe the savage breast. Or enrage it.

At Gitmo, “harsh interrogations” include Heavy Metal. We’ve known that for a while. Here’s the latest twist:

Musicians are banding together to demand the U.S. military stop using their songs as weapons. . . . groups including Massive Attack and musicians such as Tom Morello, who played with Rage Against the Machine and Audioslave.

For many Afghan detainees - where music was prohibited under Taliban rule - interrogations by U.S. forces marked their first exposure to the rhythms, played at top volume. (New York Newsday, Dec. 10)

Music as torture –good ideas like this are hard to stop from spreading.

A Colorado judge who noticed that many of the people who showed up in his courtroom for violating noise ordinances were repeat offenders has decided to quit fooling around: new offenders may find themselves sentenced to an hour of listening to Barry Manilow or the theme tune from the children's TV show ''Barney and Friends.'' (New York Times, Nov. 28)

(The judge’s cruel and unusual list also included The Platters and The Carpenters.)

In the US the music-and-violence flap has been mostly about rap. But in some places, even easy listening isn’t so easy.

International: Karaoke singer killed after hogging mic

A Malaysian karaoke enthusiast hogged the microphone for so long that he was set upon and stabbed to death.

Karaoke rage is not uncommon, especially in Asia. There have been several reported instances of singers being assaulted, shot or stabbed mid-performance, usually over how songs are sung.

In Seattle last year, a woman with an apparent aversion for Coldplay attacked a singer who had just embarked on a rendition of Yellow.

Frank Sinatra's My Way has reportedly generated such outbursts of hostility that some bars in the Philippines now no longer serve it up on the karaoke menu.

In Thailand this year, a gunman killed eight people after tiring of endless renditions of a John Denver tune. (The Guardian)

Billy Elliot -- That Was Newcastle, This Is Flint

December 13, 2008
Posted by Jay Livingston

I saw the musical Billy Elliot last night. It sets the world of dance – joyful, hopeful, not quite real – against the grim reality of the 1984 coal strike in northern England. As the program notes say, Thatcher was “determined to crush the unions.” And she did.

At the end of the show, as the strike and the strikers have been broken, Billy’s brother, a miner, tells Billy that when he comes back from Royal Ballet School in London, there will be no more work in the mines up here in the North. In village after village, men will be without work.
“We’re dinosaurs,” he says.

He was right. Before Thatcher, the coal industry employed 300,000. Today, less than 1,000, and almost all coal burned in Britain is imported.

Despite the magic of theater, I couldn’t quite suspend my thoughts about reality (maybe because I was far away from the stage – next-to-last row, rear mezz). I kept thinking about Detroit and wondering if it was now like Yorkshire, with the US auto industry, now apparently on the brink of extinction thanks to bad decisions and high costs. It’s hard to imagine a world without Ford and Chevy, but then again, in Yorkshire in 1983 it was probably impossible to imagine an England without coal. I wonder if the people who work in the GM plants – Michael Moore’s friends in Flint – are saying to their children, “We’re dinosaurs.”

We don’t know exactly why the real dinosaurs disappeared. It certainly wasn’t because of government policy. But the NUM had Maggie Thatcher and the Conservative Party, willing to destroy an industry to crush a union. But of course that wouldn’t happen here.

I turned out my computer this morning, and the top story on Google News was a link to the LA Times.

Auto bailout's death seen as a Republican blow at unions
For some Senate Republicans, a vote against the bailout was a vote against the United Auto Workers, and against organized labor in general.

Clearance Rates - Bad News?

December 11, 2008
Posted by Jay Livingston

Crime is news only when it’s bad. Most crime stories are reports of individual crimes, the worse the better. But even when the media report on general trends and statistics, they look for trouble. Good news is no news.

This week, it was the clearance rate for homicide – the percentage of murders where the police made an arrest. “More Getting Away With Murder,” was a typical headline.

Despite the rise of DNA fingerprinting and other "CSI"-style crimefighting wizardry, more and more people are getting away with murder.

FBI figures show that the homicide clearance rate, as detectives call it, dropped from 91% in 1963 - the first year records were kept in the manner they are now - to 61% in 2007. (From the Chicago Sun-Times)

The big decrease in clearance rates accompanied a big increase in murder that began, coincidentally, in 1963.

It wasn’t that a tide of incompetence was washing over homicide bureaus nationwide. The problem was that more of the murders were the kind where it’s hard to know who to arrest. The easy ones are the arguments and fights between family members and acquaintances. But much of the increase in homicide came from killings committed during robberies or between rival drug dealers, and those murders are much harder to solve.

Clearance rates fell from 91% in 1963 to 67% in 1991, the peak year for homicide. Since then, murder rates have declined dramatically. Clearance rates, too, still continued to slide, though less steeply, from 67% to 61%.

That’s the bad news. If you want the good news, look at the actual numbers of cases.


From 1991 to 2006, the number of uncleared murders declined. In 1991, about 8000 people “got away with murder.” By 2006, that number had decreased to about 6,300. The number of cleared murders also decreased. The real news is that Americans are killing one another far less frequently than they did fifteen or twenty years ago. The clearance rate has decreased because the murders that are easy to solve have decreased more rapidly than the kind that are hard to solve.

So while “More Getting Away With Murder” has the virtue of appealing to our sense of moral outrage, it has the disadvantage of being untrue.

Dumbing Down

December 6, 2008
Posted by Jay Livingston

Quiz shows on early TV combined big brains and big money. “The $64 Question” of 1940s radio became “The $64,000* Question” of 1950s television. And the questions were difficult – questions you couldn’t possibly know the answer to. Questions that people could get only if they were incredibly smart. Or if the show was rigged, which it was.

“Jeopardy” goes more for questions that many viewers can get. Even the higher-priced questions are the kind that when the contestant gives the answer, you might snap your fingers and think: right, I knew that, and I would have remembered it, too, given a little more time.

Now there’s “Are You Smarter Than a Fifth Grader?” With “$64,000 Question,” you were far below the level of the players. With “Jeopardy,” you’re in the same neighborhood, though probably on a different street.** But Fifth Grader can give you that Jerry Springer sense of superiority (the show is on Fox, not surprisingly).

See more funny videos at Funny or Die

(When I first read that Sarah Palin had thought Africa was a country, I dismissed it as a canard launched out by the snarky, dissatisfied guys in the McCain campaign. Now, I’m not so sure.)

One final thought. Fifth Grader also rests on the idea that children are superior to adults, a theme that suffuses most American movies and TV shows that have children in them (think “Home Alone”). On Fifth Grader, adults cheat off the kids, peeking at their answers or copying them outright.



I got the clip from Funny or Die, thanks to a tip from Wesleying.

* About a half million in 2008 dollars

** Full disclosure: I was a contestant on Jeopardy many, many years ago.