Innocents Abroad

February 18, 2009
Posted by Jay Livingston

And speaking of stereotypes in movies, Penelope Cruz is nominated for an Oscar for her role in Vicky Cristina Barcelona. She’s a wild artist – hot-tempered, passionate, impulsive, sexy, sensual, dangerous – oh those Spaniards, those Latin types.

The movie is based on the stereotypical contrast between Americans and Europeans, and when it comes to love, it’s like soccer – the Americans don’t really know what they are doing, while the Europeans are on very familiar turf.

Two American girls in Spain – Vicky (Rebecca Hall) is sensible and careful, engaged to a good prospect; Cristina (Scarlett Johanssen) is more daring. But neither seems capable of any depth in a relationship. Sex yes (at least for Cristina) but no passion. They don’t know what they want. They don’t even know what they can want.

The other Americans, the older couple the girls are staying with, have a marriage that is emotionally empty. The woman is disappointed, unfulfilled, stuck with a husband who seems to care only about business and golf. (It’s pretty clear that he represents what Vicky’s fiancé will become.)

Then the girls meet Juan Antonio (Javier Bardem), and they both eventually wind up sleeping with him – first Cristina, who moves in with him, then Vicky, who now understands genuine passionate involvement, even if it is fleeting.

Penelope Cruz is Juan Antonio’s ex-wife. She enters the picture about halfway through, and their tempestuous relationship becomes the center of the film. She’s crazy – she has tried to kill Juan Antonio and she has tried to kill herself – and Cruz’s performance is appropriately and hilariously over the top (do they give Oscars for this sort of thing?). But the point is that even though the Spaniards are crazy in their passions, they are still aware of their own feelings in a way that the Americans are not.

I said that the basis of the movie was the contrast between Americans and Europeans. The other basis for the movie is Truffaut, especially “Jules and Jim– friends who love the same person yet remain friends. The parallels to Truffaut are obvious if sometimes annoying – the extensive use of a narrator, the impulsive, dangerous woman who looks good in men’s hats, and probably others I missed.  (The bicycle rides on dirt roads are from an early Truffaut short, “Les Mistons.”)

A Book by Its Cover, A Movie by Its Poster

February 14, 2009
Posted by Jay Livingston

Whose Heart Is in the Right Place?


You know this movie without even seeing it, don’t you? And that may be the problem. The message in the poster is already raising hackles. The movie’s not scheduled for release until July, but Amanda Marcotte at Pandagon, knows that it’s a bad film.

Katherine Heigel[’s] . . . talents are being wasted on this shit. . . .

But obviously, this poster just about beats all. It’s the classic modern attempt to mollify women about vicious gender stereotyping

Marcotte already knows who the characters are – their motivations and the assumptions that drive the plot. She even knows how the film ends. (Duh – it’s a romantic comedy.)

Marcotte agrees with the movie’s title that the stereotype is ugly. It’s the truth part where they disagree. Of course, even if the idea in the poster were generally true, Marcotte would still object to its “vicious gender stereotyping.” Other stereotyping is O.K. It’s only this particular stereotype that outrages her. She herself has no problem stereotyping the people who go to movies like this. (“The audience for those has been whittled down to women who buy into this sexist crap, probably because they live in communities where they really don’t get much respect.”)

Lisa at Sociological Images also blogs this poster in terms of stereotypes. The trouble with stereotypes is that even when they may be generally accurate, they do not apply to all people. This poster tells us to think in terms of stereotypes. It doesn’t give us people. It gives us those universal figures that are designed explicitly not to look like real people. They’re intended to be recognizable the world over for a single characteristic – gender – so that we don’t go into the wrong rest room at the airport.

For all I know, “The Ugly Truth” may turn out to be as bad as Marcotte says. But maybe not. It might wind up giving the characters a more realistic and complicated relationship to this conflict between lust and love. (Interestingly, two recent films that used simple, monochromatic, comic-book-like drawings – “Persepolis” and “Waltzing with Bashir” – were intellectually complex and challenging.) With any luck, the characters in the movie will seem more like people than like stick figures. And we’ll get a different poster.

Happy Valentine’s Day

Getting Tough on Juvenile Crime

February 13, 2009
Posted by Jay Livingston

The conservative view on courts and corrections advocates several ideas, among them

• courts should hand out harsher punishments
• private, for-profit jails are preferable to state-run facilities
• defendants have too many procedural rights (in the case of juveniles, these unececessary and deleterious rights include the right to counsel)

These three ideas, put into practice, came together nicely in Wilkes-Barre, PA.

Judges Plead Guilty in Scheme to Jail Youths for Profit

By Ian Urbina and Sean D. Hamill

At worst, Hillary Transue thought she might get a stern lecture when she appeared before a judge for building a spoof MySpace page mocking the assistant principal at her high school in Wilkes-Barre, Pa. She was a stellar student who had never been in trouble, and the page stated clearly at the bottom that it was just a joke.

Instead, the judge sentenced her to three months at a juvenile detention center on a charge of harassment.

She was handcuffed and taken away as her stunned parents stood by.

“I felt like I had been thrown into some surreal sort of nightmare,” said Hillary, 17, who was sentenced in 2007. “All I wanted to know was how this could be fair and why the judge would do such a thing.”

The answers became a bit clearer on Thursday as the judge, Mark A. Ciavarella Jr., and a colleague, Michael T. Conahan, appeared in federal court in Scranton, Pa., to plead guilty to wire fraud and income tax fraud for taking more than $2.6 million in kickbacks to send teenagers to two privately run youth detention centers run by PA Child Care and a sister company, Western PA Child Care.

Full story here.

Stops - In the Name of the Law

February 11, 2009
Posted by Jay Livingston

On TV and in the movies, street cops rarely make a mistake. They have a sixth sense that they develop from years of experience on the streets. It tells them who’s dangerous and who’s not, who’s a criminal and who’s not, who’s holding (drugs, weapons) and who’s not.

On the real streets, things don’t always turn out that way. A few months ago, I posted some data from a study of the LAPD showing that the blue sixth sense was especially faulty when white cops suspected non-whites.

Now we have data on street stops by the NYPD. It’s not exactly the stuff of television.

(I know there’s a Pac-Man joke lurking here, but I just can’t come up with it.)

Of the roughly 530,000 stops, 465,000 led to no further official action. Only 12% led to an arrest or a summons.

No wonder the NYPD wanted to keep the numbers secret, as they had up until seven years ago. Now the law requires them to publish the information – a law passed in the wake of a celebrated case of New York police killing an innocent man (four cops fired 41 bullets at him).