August 5, 2009
Posted by Jay Livingston
Bing is Microsoft’s new search engine, their challenge to Google.
David Pogue at the New York Times says, “in many ways, Bing is better.”
But in at least one way, Bing sucks. It refuses to find this blog.
Today, someone got to this blog by searching for “football players with a sociology degree ” in Google, no doubt, where we were the fourth hit on the list. But when I entered those terms in Bing, I clicked through the first ten pages and the SocioBlog still hadn’t turned up. Even adding specific terms that were in the relevant post (“clustering,” “Coulter”) didn’t help.
If you Google “Borat, Milgram, Goffman,” this blog is at or near the top of the list. Try it in Bing, and you get five hits, none of them this blog (and only one in English – the others are in French, Portuguese, or Italian). Bing adds this note at the bottom of the list: “Some results have been removed.” Just in case I wasn’t already feeling paranoid.
I checked a few other strings that people have used to get to this blog – “sports prediction market,” “Mary Douglas anomaly,” “gee whiz graph.” In Google, we were on the first page of results; in Bing, I gave up after ten pages.
Nobody outside Google knows what their algorithm is. I certainly don’t know Bing’s algorithm. Truth be told, I’m not sure what an algorithm is, and as others must have said, I find it odd to have the terms “Al Gore” and “rhythm” in the same paragraph let alone in the same word.
But whatever it is, Bing’s algorithm apparently has no place for this blog.
La Topless – Passé?
August 2, 2009
Posted by Jay Livingston
I’ve been leaving breast-blogging to Sociological Images or other sociology blogs. A year ago, I came across an interview with French sociologist Jean-Claude Kaufmann, whose research interests include topless sunbathing. In 1995 he published Corps de Femmes, Regards d'Hommes, based on 300 interviews supplemented with observational research at the beach.
I was going to blog it with a title like “For this you can get a grant?” But I merely filed it away.
Now, a year later, a French magazine reports that younger women at the beach are leaving their tops on. The story went mostly ignored in France, The US and UK press were much more enthusiastic. They played it up as a trend towards prudishness among the young, as if to say, “See, they've finally come around to our way of doing things.”
Time magazine for example, says,
(For a slightly larger view, click on the picture. Maybe NSFW – if your co-workers have really good vision.)
In either case – bared or covered – the French frame the decision over female anatomy as a matter of female autonomy. Last year, Kaufmann said of the decision to go topless, “le phénomène de la topless reste un choix qu'il exprime le désir d'être libres et de communiquer cette liberté.”* This year he sees not going topless as a rejection of fashion. “The practice has become common, and therefore less compelling as a fashion.”
It would be interesting to compare the situation of bare breasts in France and in the US. Here, topless beaches are few. Instead, the image of women baring their breasts is that of Girls Gone Wild or Mardi Gras – girls getting drunk and flashing a crowd of shouting boys (does anyone remember Rude Norton?).
How different from the French beach scene Kaufmann describes, the men
Plutôt petit. Rather small. In the US, surgeons do nearly three times as many breast augmentations as breast reductions. In France, the numbers are reversed. Maybe that’s why when the IFOP asked women who, among six celebs who had posed nude, represented the most gracious female nudity, Pamela Anderson got only 2% of the vote, behind Kate Moss (6%). Laetitia Casta was the big winner, especially among the 18-24s, followed by Emmanuele Béart. (If you are not familiar with these referenced sources, you're on your own. We're not that kind of blog.)
* “The topless phenomenon remains a choice that expresses the desire to be free and to communicate this freedom.”
** “with eyes that are not particularly expressive and that show no interest, eyes that flow quickly over the feminine landscape of the beach in an attentive manner. . . . To show her breasts, a woman must feel at ease.”
Posted by Jay Livingston
I’ve been leaving breast-blogging to Sociological Images or other sociology blogs. A year ago, I came across an interview with French sociologist Jean-Claude Kaufmann, whose research interests include topless sunbathing. In 1995 he published Corps de Femmes, Regards d'Hommes, based on 300 interviews supplemented with observational research at the beach.
I was going to blog it with a title like “For this you can get a grant?” But I merely filed it away.
Now, a year later, a French magazine reports that younger women at the beach are leaving their tops on. The story went mostly ignored in France, The US and UK press were much more enthusiastic. They played it up as a trend towards prudishness among the young, as if to say, “See, they've finally come around to our way of doing things.”
Time magazine for example, says,
Younger women disinclined to baring themselves make up the majority of female sunbathers; those still willing to go topless are usually older French women.Time has no data on this. If they sent some lucky staffer to Cannes for an informal count, they’re not saying. Time did check a recent a IFOP survey of 1000 French women (“Les femmes et la nudité”) which oddly enough did not ask women if they went topless at the beach. The Time article, in a desperate effort to show a cultural shift, does a really bad job of reporting the data. There were some small differences between younger and older. More of the 18-35 women said they felt uncomfortable seeing topless women at the beach than did the over-35s (31 % vs. 20%). But when asked their level of “pudeur personelle,” the youngest women (18-24) were indistinguishable from the over-35s.
(For a slightly larger view, click on the picture. Maybe NSFW – if your co-workers have really good vision.)In either case – bared or covered – the French frame the decision over female anatomy as a matter of female autonomy. Last year, Kaufmann said of the decision to go topless, “le phénomène de la topless reste un choix qu'il exprime le désir d'être libres et de communiquer cette liberté.”* This year he sees not going topless as a rejection of fashion. “The practice has become common, and therefore less compelling as a fashion.”
It would be interesting to compare the situation of bare breasts in France and in the US. Here, topless beaches are few. Instead, the image of women baring their breasts is that of Girls Gone Wild or Mardi Gras – girls getting drunk and flashing a crowd of shouting boys (does anyone remember Rude Norton?).
How different from the French beach scene Kaufmann describes, the men
avec des yeux pas particulièrement expressifs, qui ne démontrent pas d’intérêt, mais qu’ils coulent rapidement sur le paysage féminin de la plage de manière attentive. . . .. Pour montrer ses seins, une femme doit se sentir à l’aise.**There may also be French-US differences in the matter of quality vs. quantity. Kaufmann says that the unwritten rules of the beach permit that only “beaux seins” be exposed. Asked to define his terms, he says, “Selon les interviewés, de beaux seins sont ceux des jeunes filles: plutôt petit, dur, bien attaché au thorax.”
Plutôt petit. Rather small. In the US, surgeons do nearly three times as many breast augmentations as breast reductions. In France, the numbers are reversed. Maybe that’s why when the IFOP asked women who, among six celebs who had posed nude, represented the most gracious female nudity, Pamela Anderson got only 2% of the vote, behind Kate Moss (6%). Laetitia Casta was the big winner, especially among the 18-24s, followed by Emmanuele Béart. (If you are not familiar with these referenced sources, you're on your own. We're not that kind of blog.)
* “The topless phenomenon remains a choice that expresses the desire to be free and to communicate this freedom.”
** “with eyes that are not particularly expressive and that show no interest, eyes that flow quickly over the feminine landscape of the beach in an attentive manner. . . . To show her breasts, a woman must feel at ease.”
Marrying Out (A Story Goes With It)
July 29, 2009
Posted by Jay Livingston
Brad Wright posts this chart from a Pew report on marrying outside the faith.
There’s much to be said, but one thing struck me: for people who marry outside the faith, the most popular other faith is
I chalk this up to opportunity and proximity. Jews tend to live in places where there are also a high proportion of Catholics. In New York City, for example, where Jews are about 18% of the population, they are far more likely to meet a Catholic (50%) than a Protestant (10%).
That’s my explanation. Here’s the story.
My friend Robert, who takes his Judaism fairly seriously, sent his son Peter to Trinity, one of the top private schools in the city. (Despite its name, it’s nondenominational, with a strong ethical, though not religious, orientation. It also had the advantage of being only a few blocks from his house.)
One Saturday morning, Robert took Peter, then about seven, to shul. After the service, one of the older men from the congregation was talking with them, pinching the kid’s cheek, saying what a cute boy he was, asking what grade he was in. “First.” And where did he go to school. “Trinity,” said Peter.
“Oy gevalt.”
For the next couple of weeks, little Peter walked around saying, “Oy gevalt, oy gevalt” in a pretty fair imitation of the alte kocker.
I knew that Peter wasn’t the only Jewish kid at Trinity. And when Robert told me this story, I asked him what the Jewish proportion at Trinity was.
“Fifty percent,” he said. “Every kid has one Jewish parent.”
And most likely, the other parent was Catholic.
Fast forward twenty years or so. At the end of next month, Peter is getting married. To a nice Jewish girl.
Posted by Jay Livingston
Brad Wright posts this chart from a Pew report on marrying outside the faith.
(Click on the chart for a larger, more legible view.)
There’s much to be said, but one thing struck me: for people who marry outside the faith, the most popular other faith is
- either the religion that’s similar (e.g., Orthodox and Catholic, Buddhist and unaffiliated) or
- the religion that has the most people – i.e., Protestant.
I chalk this up to opportunity and proximity. Jews tend to live in places where there are also a high proportion of Catholics. In New York City, for example, where Jews are about 18% of the population, they are far more likely to meet a Catholic (50%) than a Protestant (10%).
That’s my explanation. Here’s the story.
My friend Robert, who takes his Judaism fairly seriously, sent his son Peter to Trinity, one of the top private schools in the city. (Despite its name, it’s nondenominational, with a strong ethical, though not religious, orientation. It also had the advantage of being only a few blocks from his house.)
One Saturday morning, Robert took Peter, then about seven, to shul. After the service, one of the older men from the congregation was talking with them, pinching the kid’s cheek, saying what a cute boy he was, asking what grade he was in. “First.” And where did he go to school. “Trinity,” said Peter.
“Oy gevalt.”
For the next couple of weeks, little Peter walked around saying, “Oy gevalt, oy gevalt” in a pretty fair imitation of the alte kocker.
I knew that Peter wasn’t the only Jewish kid at Trinity. And when Robert told me this story, I asked him what the Jewish proportion at Trinity was.
“Fifty percent,” he said. “Every kid has one Jewish parent.”
And most likely, the other parent was Catholic.
Fast forward twenty years or so. At the end of next month, Peter is getting married. To a nice Jewish girl.
Arlo and Nostalgia - But For What?
July 26, 2009
Posted by Jay Livingston
The New York Times Magazine brief interview with Arlo Guthrie today opens with questions about “the fuss that is being made over the 40th anniversary” of Woodstock. But the picture of Arlo that accompanies the interview took me back not to 1969 (or even 1967, the year of Arlo’s recorded performance of Alice’s Restaurant at the Newport Folk Festival), but to another performance thirty years before Woodstock.
(Note: this post has no sociological content or import that I can see. If anybody finds some, please let me know.)9
Posted by Jay Livingston
The New York Times Magazine brief interview with Arlo Guthrie today opens with questions about “the fuss that is being made over the 40th anniversary” of Woodstock. But the picture of Arlo that accompanies the interview took me back not to 1969 (or even 1967, the year of Arlo’s recorded performance of Alice’s Restaurant at the Newport Folk Festival), but to another performance thirty years before Woodstock.
(Note: this post has no sociological content or import that I can see. If anybody finds some, please let me know.)9
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