Reality – We Lost It at the Movies

August 17, 2009
Posted by Jay Livingston
If the facts don’t fit the theory, change the facts. Whether or not Einstein really said this or really meant it, it might well be the motto of the New York Post.


In New York, last week, four robbers entered a run-down looking restaurant supply store on 125th St. They started to struggle with one of the employees, hitting him with a pistol, paying no attention to the owner, 70-year Charles Augusto. Augusto pulled out a shotgun and fired three times, killing two of the robbers, wounding the other two.

The New York Post carried the headline “Make My Day.” But what happened on 125th was not Dirty Harry (see the relevant clip from “Sudden Impact” here ). Charles Augusto tried to persuade the robbers that there was nothing worth stealing. He tried to get them to leave. Confrontation was the last thing he wanted. Pulling the shotgun was impulsive, not thought out. The gun had been sitting, never fired, for twenty years, so Augusto could have no idea whether it would even work.

The Daily News headline got it right. Shooting the robbers was not something he wanted to do. It brought him no satisfaction, nor does he think it was at all heroic. He was not trying to rid the world of evildoers. He was trying to get some robbers to stop hitting his employee.

Unlike the Post and Dirty Harry, Charles Augusto understands that death – even the death of a violent criminal – is not an isolated fact. Other people are inevitably involved, as Augusto knew from experience. His own son had committed suicide twelve years earlier, and now he has nothing but sympathy for the families of the dead. “I know the pain these people must feel.”

The Post headline reeks of smug self-satisfaction, a reaction far different from Charles Augusto’s reality. “I don’t know what feels worse, now or when my only son died.”

“Funny People” – Making Hard Choices Easy

August 15, 2009
Posted by Jay Livingston

“We make extremely right-wing movies with extremely filthy dialogue.” Seth Rogen was talking about “Knocked Up,” and by “we” he meant the Judd Apatow repertory company.

Ross Douthat, the New York Times’s new right-wing columnist, included the quote in his op-ed on Apatow’s most recent film “Funny People.” According to Douthat this movie is more “grown-up” and “realistic” in its family values. “Doing the right thing comes harder.”

I saw a movie called “Funny People” last week, but it must not have been the same one Douthat saw. The one I saw twisted itself out of shape to make doing the right thing come easy.

Spoiler alert: I’m going to reveal the plot and ending,

George (Adam Sandler) is a very successful comedian who contracts a potentially deadly disease but then, miraculously, recovers. When he thinks he’s facing death he phones his ex-girlfriend Laura, who left him twelve years earlier because he was cheating on her. She is now a wife and mother. He realizes that he messed up back then and wants to rewind the tape.

She comes to visit, and later, when George is healthy again, he goes to see her in her Marin County home (her husband is, as usual, out of town). Both meetings show that they still love one another and that they still have a certain something. George wants her to break up her marriage and be with him.

The conservative message comes at the end, when Laura is faced with a family-values dilemma: should she leave her husband and get back together with George?


At first, the film tips the scales towards divorce. She and George still have that chemistry, and besides, her husband isn’t much of a husband. He’s macho-obnoxious and frequently out of the country on business. And he cheats on her.

Whichever she chooses, love or family, she will lose something. If she stays with her husband, she will lose George’s love, humor, etc. If she chooses happiness with George, she will lose her family; her children will suffer as well.

It’s a real dilemma, a grown-up problem. True love or family. You can’t have it both ways. But wait.

American movies and television have a long tradition of presenting a real problems and then conjuring up magical solutions. It’s called “the Hollywood ending.” “Funny People” is no exception. At first, Laura decides to split from her husband and go with George. But no sooner does she nod in his direction than he is suddenly transformed, and not for the better. Five minutes ago, he delighted in playing silly games on the floor with her kids and dogs; now he can barely bring himself to stay in the same room with them. Before, he was attentive to every nuance of Laura’s feelings. Now, he ignores her, flipping open his cellphone to read text messages about movie deals and money.

Her husband has a similar transformation though in the opposite direction, renouncing his extramarital affairs (just two), vowing to get a job that will keep him close to his family, and declaring his love and devotion to his wife. Surprise, surprise – she decides to stay with her husband.

See, the decision only appeared to be a hard one. In the end, doing the right thing brings no sacrifice at all.

The real cheating in this film is not men’s infidelity to women; it’s the director Apatow’s infidelity to the story he himself has created.

This is not a perfect film. The “lonely at the top” theme is a bit of a cliche. The movie is long, nearly 2½ hours, because it tries to paste together three different movies: the ex-girlfriend dilemma; George facing death; Ira (Seth Rogen) the virtuous, innocent schnook, hanging around with the super-successful George.

But the movie is often funny, and it’s at its best when it’s about comedy. It makes you appreciate how difficult stand-up is, with its strange relationship between performer and audience. The key to success is not to tell a funny joke but to capture the audience. The same jokes that seem lame when done by an unseasoned, aspiring performer (Rogen) become good material in the hands of a pro like George, partly because of his ability, his craft, but also because the audience is already on his side. The film also shows how much these comedians rely on “dick jokes,” which don’t bring much admiration from colleagues but can get laughs, especially with unsophisticated audiences.

And then there’s James Taylor, whose two spoken lines in the film (he also sings one song) are hilarious – playing completely against his usual persona.

What He Said

August 14, 2009
Posted by Jay Livingston

After I’d written yesterday’s post – and I actually spent some time trying to make my thoughts coherent – I found out that The Daily Show had made pretty much the same point two days earlier. They now have a recurring segment called “Reform Madness,” an allusion to Reefer Madness. This installment was called “White Minority” and featured Senior Black Correspondent Larry Wilmore.


This is just a screen shot. Go here to see it if you missed it earlier this week. You’ll see what I mean (and maybe what Trrish meant in her comment yesterday.

Status Politics and Anti-HealthCare

August 13, 2009  
Posted by Jay Livingston

The hard core protesters are making it clear that for them, this isn’t really about health care. It’s about something much larger.


Poor Arlen Specter. He may have wanted to talk about health care, but as the New York Times  reported yesterday, many in the crowd didn’t want to discuss coverage.

They got up before dawn in large numbers with angry signs and American flag T-shirts, and many were seething with frustration at issues that went far beyond overhauling health care. . . .
“This is about the dismantling of this country,” Katy Abram, 35, shouted at Mr. Specter, drawing one of the most prolonged rounds of applause. “We don’t want this country to turn into Russia.”

For Obama and the Democrats, it’s about getting it right and getting it passed. For several other interested parties (insurance companies, Big Pharma, and the rest), it’s about economic self-interest. But for the protesters – the people shouting down discussion at town meetings, carrying signs about “socialism,” ranting about rationing and “death panels” – the issue has taken on symbolic qualities that have nothing to do with health care and much to do with status politics.

Harold Lasswell famously said, “Politics is who gets what, when, and how.” But status politics has little to do with tangible interests. Status politics is flying the Confederate flag on the state capitol. It has nothing to do with policy and everything to do with status. Campaigns to make English the “official language” have this same quality. The question is not who gets what. Instead the question is: whose country is this?

My thinking in all this is inspired by Joseph Gusfield’s Symbolic Crusade, about the temperance movement, which grew in the late 19th century and achieved its greatest victory in the passage of the Eighteenth Amendment.

As Gusfield puts it,

Since governmental actions symbolize the position of groups in the status structure, seemingly ceremonial or ritual acts of government are often of great importance to many social groups.

Gusfield argues that while anti-alcohol laws may have been about the evils of drink, they also reaffirmed the cultural and political dominance of those who had been running the country but now felt their position threatened. Beginning in the latter part of the nineteenth century, these groups – Protestant, rural or small-town, middle class, and agrarian – saw new groups rising to challenge the position of dominance that they had long taken for granted. These arrivistes were largely urban rather than rural, industrial rather than agrarian, Catholic rather than protest, lower class or upper class rather than middle, cosmopolitan rather than local, modern rather than traditional. And they drank. They did not share the old order’s value on abstinence as a sign of virtue, nor did they deem it a necessity for respectability.

By passing laws, especially a national law, the old order could reassure themselves that America was still their country. Then, in 1929, it became clear that what they had been doing with their country hadn’t turned out so well, and in 1932 the “Roosevelt coalition” – urban, ethnic, industrial (plus the anti-Republican South) – swept them out. Notably, one of the first things on the agenda was Repeal.

With health care, the status-politics issue is less clear because private and public insurance are not important aspects of any group’s identity. But these protesters bear a strong resemblance to the temperance constituency – white, non-urban, middle class, local, largely Protestant, anti-immigrant. They are Palin’s peeps.

Ever since Obama took office, they have been looking for a battleground issue where they could show that they were still in control. The financial bailout might have been the Big Issue, but since the economy tanked when Bush had been in control for eight years, it was hard to blame the crisis on Obama or the Democrats. And Bush himself had been the one to start tossing huge sums to Wall Street. The Teabaggers didn’t really have an issue; they could never clarify what they were against let alone what they were for. Foreign policy? Most Americans would prefer to forget about Iraq. They feel that any foreign policy would be better than what Bush got us into.

So health care is where the old order makes its stand. Early on, their spokesman Rush Limbaugh said flat out that he was rooting for Obama to fail. So they protest “Obama care.” But the issue is not really health care, and not even the president. Obama – urban, non-white, cosmopolitan, with ties to both the lower class (community organizing on Chicago’s South Side) and the upper class (Harvard Law) – has become the symbol of their loss of dominance.

The protesters remind me of a spoiled child used to having his way. “Seething with frustration,” is how the Times reporter put it – frustration at losing their position of dominance. They feel that despite Obama’s getting a majority of the votes, his Presidency is still an illegitimate usurpation. The “birthers” make this claim explicitly. But the health care protesters seem to share this idea that their power has been illegitimately taken from them. “I demand my voice,” said one of the signs at the Specter meeting, implying that even if that voice was in the minority and had lost the election, it still should carry the day.

But the protesters, the followers of Fox News and Limbaugh, still can’t grasp that they were outvoted last November. They still think that the US is their country. In the Nixon, Reagan, and Bush years, they knew it was their country. Democrats were allowed to live in it as long as they accepted that dominance. If they dissented, they were accused of treason. “America – love it or leave it.”

Yet even though they are now in the minority, they still think that they are “the Real America” and that the US still belongs to them. But the Real America is coming face to face with reality.
The change has been coming for a while. – the 2006 elections were a sign of this political and cultural shift as I suggested at the time (here) . But the election of Obama and now the possibility that he will enact a real change confronts them with the reality of their loss of dominance. That’s why they see health care in such apocalyptic terms. That’s why I also fear that their tantrums may turn even uglier.