When the Going Gets Tough – Lipstick and Evolution

June 28, 2012
Posted by Jay Livingston

L’Oreal did not lose sales during the current recession.  And psychologist Sarah Hill says that this increase is part of a more general trend – “the lipstick effect.”  In a recession, women cut back on other stuff, but not cosmetics.

What makes L’Oreal worth it, even when times get tough, according to Hill, is evolutionary psychology.  (Hill’s new JPSP article  is here. She also has a shorter, more general write-up at Scientific American.)  It’s all about “reproductive strategy” – how to get your genes strewn about as much as possible. 
Human ancestors regularly went through cycles of abundance and famine, each of which favors different reproductive strategies. While periods of abundance favor strategies associated with postponing reproduction in favor of one’s own development (e.g., by pursuing an education), periods of scarcity favor more immediate reproduction. The latter strategy is more successful during times of resource scarcity because it decreases the likelihood that one will perish before having the chance to reproduce.

Got it? In good times, our human ancestors would try to get an education.  In hard times, they would try to get laid. 

Hill elaborates on the special problems for women.
For women, periods of scarcity also decrease the availability of quality mates, as women’s mate preferences reliably prioritize resource access.
“Reliably prioritize resource access” is from the SciAm blogpost, presumably the venue that’s reader-friendly for the general public.  What the sentence means, I think, is this:  A recession reduces the number of guys with enough money to take care of a family.

Those well-off guys, I mean males, thanks to evolution, are “men who seek in mates qualities related to fertility, such as youth and physical attractiveness.”  So a girl has to go even further in dolling herself up in order to snag one of them. 

It all makes sense, but it ignores one important factor – the economic  inequality between men and women.  The evol-psych explanation takes as a given that women must rely on men for “resource access” (which I think is roughly what you and I call “money.”)  What if women knew that their chances of getting a decent job were as good as a man’s, or better?  Would hard times still send them to the cosmetics counter?

Hill did include a measure of resource access, and found that it was not significantly related to the lipstick-effect, at least not in the lab experiments.  Here was the set-up: Subjects read an article that was either about the recession (“Worst Economic Crisis Since ’30s With No End in Sight”) or about “current architecture.” Then they were asked which products they preferred.  Women who read about the recession were more likely to go for (in the words of evolutionary psychologist C. Berry) “tight dresses and lipstick.”*  The “resource access” measure did not significantly alter that effect.  Rich girls and poor girls alike switched their preference to L'Oreal.

As for the guys, reading about the recession did not affect them in this way.  Their desire for “attractiveness products” was unchanged.

I never know what to make of psychology experiments.  Their elaborate contrivance gives them enviable control over the variables, but it also raises questions about their link to the real world.  In Hill’s experiments, as is typical, the subjects were “unmarried female university students” – what we used to call “college girls” (plus, in one of the experiments, college boys).  It would be interesting to see if actual recessions lead to lipstick-buying across the socio-economic landscape.  Evol-psych would predict that the effect should be most visible in places where the recession hits hardest.

It’s also worth noting that L’Oreal might have been the exception this time around.  Sales in the industry as a whole suffered in the recession and did not reach pre-recession levels till 2010, and much of the increase came from bargain hunters.  (An industry report is here.) That contradicts Hill’s lab experiment results showing that “the lipstick effect applies specifically to products that enhance beauty, even when those products are more expensive.”   The larger increase in cosmetics sales came in 2011, especially for nail products (up 59%, go figure).

The experiment’s “priming” with newspaper stories is also a problem.  I’m puzzled about the use of that “current architecture” article as a control.  Why not an article that was upsetting but had nothing to do with economics – something like “How Hackers Easily Get Your Phone Messages”?  Maybe any disturbing article would have the same lipstick effect, even though cell phone privacy has nothing to do with a woman’s ability to pass along her genes.  As the t-shirt says, “When the going gets tough, the tough go shopping.” Maybe it doesn’t matter whether the tough-going is economic or something else.

Finally, I wonder about those guys.  If recessions make women but not men worry about their genes, asking college guys about face cream and tight polo shirts might not be the best way to operationalize the variable.  Why not ask about things that most guys think make them more attractive to women – probably consumer goods that signal cultural and economic capital?  Maybe college boys who read the recession article would shift their preference from video games to dress shirts and ties; or maybe the change would go the other way.  Whatever the outcome, I'm sure evol-psych would have an explanation. 

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* I am not making this up: “The three attractiveness-enhancing products were (a) form-fitting jeans, (b) form-fitting black dress (women) / form-fitting polo shirt (men), and (c) lipstick (women) / men’s facial cream (men).”  And, as noted above, these were college girls, not all that much older than sweet little sixteen.

The Criminal Mind

June 26, 2012
Posted by Jay Livingston

Decades ago, when I was reading up on car theft for a section in my crim text, I discovered that some proportion of thefts are for the very modest purpose of transportation – a sort of precursor of the Zip Car.  Can’t afford to buy a car?  Just take one, drive to your destination, and leave the car. 

I remembered this when reading Jody Rosen’s story (at Slate) about finding his stolen bicycle – stolen in Brooklyn, and then found barely four-and-a-half hours later near Union Square in Manhattan, five miles away.




Rosen focuses on the essential role of Twitter in the search. But what struck me was not the Twitterpolice procedural; it was the epilogue, where we discover the criminal’s deep and devious motivation.
The police told me they would hang out for a while in case the thief materialized. “Where do you think he is?” I asked. “In there, probably,” said one of the cops, motioning to the entrance of the building we were standing in front of. It was a Department of Social Services facility, home to the New York City Job Center, the New York City Residential Center, and the New York City Food Stamp Office. Times are tough.

Comedians Breaking Definitions

June 26, 2012
Posted by Jay Livingston

Martha Plimpton’s brief bio on Twitter:
I put dead people’s hair on my head and talk loudly in front of strangers for money.
In a previous post (here) I noted that actors and magicians share with their audience an unusual and self-contradictory definition of the situation. The performer makes every effort to convince the audience that he is something he is not – the possessor of supernatural powers, a prince of Denmark, etc.  But he must also convey the idea that he is really just an ordinary person and that he is fully aware that he is not what he is claiming to be.  As long as everyone shares this definition of the situation, the show can go on. Without that definition, the professional actor, as Ms. Plimpton suggests, sounds absurd if not deranged.

Comedians and their audiences have a similar tacit agreement.  It’s most obvious with the old-style, joke-telling stand-up comedians.  The rabbi, the priest, and the kangaroo did not really walk into a bar.  Newer-style “observational” comedians blur the line slightly, calling our attention to real absurdities we might not have noticed.  Elayne Boosler asks her audience, “Ever notice that Soup for One is eight aisles away from Party Mix?”  But we know she does not really think that supermarkets are trying to segregate the shoppers – one aisle for the lonely, another for the socially successful.  And when Seinfeld asks what’s the deal with automobiles or airlines or whatever, we know that he is not really puzzled and that he understands them the same way that we do.

But some comedians break the agreement. The Times yesterday had an article about comedian Tig Notaro seeming to forget her own routine.*
Time passed slowly. Ms. Notaro spotted a familiar face in the crowd and asked for help. Her friend shouted a reminder. Ms. Notaro started the story again, froze, joked and asked for help. As this series of false starts continued, patterns emerged in expressions, gestures, cadence.
She is violating the usual definition of how comedians should perform, and the audience is puzzled.
Not all of the audience however was amused. As minutes went by, people start checking their watches and rolling their eyes. This atmosphere resembled what I imagine the first minutes of watching Andy Kaufman read the entire “Great Gatsby” onstage were like. The audience chuckled, then murmured. Was this all a stunt? And seriously, when was it going to end?
I saw Andy Kaufman a few times at The Improv long ago, and the audience reaction (or mine at least) went beyond puzzlement or boredom to places like distress or anger. 

One night, Kaufman came on stage and started to play a conga drum.  (I don’t remember if he spoke an introduction or just started playing.)   At some point, he started to sing in some indecipherable language. The audience laughed. But then he continued, long after the audience had stopped laughing.** 

In this, and in other routines, Kaufman would stay in character so long that the audience would not know what to make of him. Maybe this guy is really crazy, you would think. Maybe he doesn’t realize that the audience doesn’t think he’s funny. Maybe he’s doing this out of some schizo inability to sense the reactions of others, and he is attending only to his own internal imagined reality. 

The thought that you were looking not at a comedian but at a seriously troubled mind was not at all funny. It was upsetting. 

I don’t remember how he would end this bit. My guess is that he said his, “Tank you veddy much,” and did his stiff little bows and got off stage. But whatever the ending was, it did little to convey the idea that he knew it was all just an act.

One night, I left the club – it must have been close to 2 a.m. – and out on the sidewalk, not far from the door, Kaufman and Elayne Boosler,*** who had also performed that night, were having a heated argument.  “You can’t do that,” she shouted at him. “You can’t do that to people.” 

I wish I had stayed longer to eavesdrop on the rest of the conversation.  At the same time, I felt relieved to know that Kaufman was not out of touch with reality.  His ability to have an argument about his act meant that he knew it was just an act. 
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* Notaro’s more typical version of the routine – a long (11-minute) anecdote involving Taylor Dayne – is here

** A video of a much less ambiguous version of the congas bit is here

*** Kaufman and Boosler were good friends, possibly romantically involved, though I certainly did not know that at the time.

Free Samples

June 23, 2012
Posted by Jay Livingston

Google has nGrams for quick content analysis of words and phrases in “lots of books.”  Google also has Correlate which allows you to trace search strings across time and place and to discover correlations between search strings. 

Facebook too makes information on their users available, though their motive is not so selfless as Google’s.  The do it so that advertisers can narrow their target.  Planet Money had a story recently about a pizza joint in New Orleans that used FB’s data to select the target audience for its ads.
Their first idea was to target the friends of people who already liked Pizza Delicious on Facebook. But that wound up targeting 74 percent of people in New Orleans on Facebook — 224,000 people. They needed something narrower.

The Pizza Delicious guys really wanted to find people jonesing for real New York pizza. So they tried to target people who had other New York likes — the Jets, the Knicks, Notorious B.I.G. Making the New York connection cut the reach of the ad down to 15,000.

Seemed perfect. But 12 hours later, Michael called us. “It was all zeroes across the board,”  he said. Facebook doesn't make money till people click on the ad. If nobody clicks, Facebook turns the ad off. They'd struck out.

So they changed the target to New Orleans fans of Italian food: mozzarella, gnocchi, espresso. This time they were targeting 30,000 people.

Those ads went viral. They got twice the usual number of click-throughs, on average. The ad showed up more than 700,000 times. Basically, everyone in New Orleans on Facebook saw it. Twice.
To get the access to the data, you don’t really have to be an advertiser; you just have to play one on Facebook.  Neal Caren at UNC tells you how.  He used Facebook to compare rates of same-sex and hetero preferences across age groups and states.  His instructional post is here.

(HT: Philip Cohen)