Posted by Jay Livingston
“Frances Ha,” the new movie by Noah Baumbach is basically “Girls” in black and white. Twenty-seven year olds in Brooklyn. They move from one relationship to the next searching for a good one and never quite finding it. The same goes for jobs and especially for apartments.* Fluidity rules. For the girls at least, only their friendships have something suggesting permanence, importance, and intensity.
It offers an obnoxiously self-satisfied portrait of a young white New Yorker–played by Greta Gerwig–running out her parent’s stipend, roommating with other New York hipsters, sometimes skipping the pond to Paris, all the time pursuing her goal to be a professional dancer, even though she demonstrates no aptitude for it.White tears into Baumbach’s “warped values,” values that White says also permeate Baumbach’s “detestable” movie “The Squid and the Whale.” What really galls White are the concerns and desires of the characters in the film.
Maybe you have to be a Mumblehattan elite to love this kind of self-love.I wouldn’t pay such attention to this obscure review except that it embodies a much more widely held view of “millennials” like the characters in this movie. They are narcissistic, they won’t work hard for the things they want but instead feel entitled to them. “They really do seem to want everything, and I can't decide if it’s an inability or an unwillingness to make trade-offs.” “Their attitude is always ‘What are you going to give me,’” says a manager of human-resource programs. (These quotations are from a WSJ distillation (here) of The Trophy Kids Grow Up: How the Millennial Generation Is Shaking Up the Workplace by Ron Alsop.
A Facebook friend of mine says much the same thing
My work in HR teaches me daily that the younger generations entering the workforce are dripping with this undeserved sense of entitlement (not all, of course).A business researcher says,
Nearly 70 percent of survey respondents think Millennnials are lazy and uninterested in their jobs. What’s more, 55 percent of Millennials agree.This moralistic hand-wringing about the younger generation – even when the hand-wringers are not so old themselves (my FB friend is 33) – reminds me of the song “Kids” from “Bye-bye Birdie,” a musical that opened more than a half-century ago.**
Kids!
I don’t know what’s wrong with these kids today! . . .
Kids!
They are disobedient, disrespectful oafs!
Noisy, crazy, dirty, lazy, loafers!
While we’re on the subject:
Kids!
You can talk and talk till your face is blue!
Kids!
But they still just do what they want to do!
I don’t know what’s wrong with these kids today! . . .
Kids!
They are disobedient, disrespectful oafs!
Noisy, crazy, dirty, lazy, loafers!
While we’re on the subject:
Kids!
You can talk and talk till your face is blue!
Kids!
But they still just do what they want to do!
The perception of millennials as “lazy” or “uninterested in their jobs” or doing only the things they want to do may not even be generally true of most of these twenty-somethings. So the complaint probably tells us more about the complainers than about the objects of their contempt. The complaint comes down to this: Frances Ha, Hannah Horvath, and their real-life counterparts are willing to forgo financial rewards in order to spend more of their time doing (or at least looking for) something personally meaningful. And for some reason, in the view of theses critics, that’s just wrong. Those who castigate them seem to be saying, “For years, I spent forty or more hours a week at a job I disliked, making myself miserable so that I could make a lot of money. You should choose to make yourself miserable too.”
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* You could even say that “Girls” and “Frances Ha” are really about the New York rental market. In a 2007 post, I said that most American films are “about” Success in the same way that British films are “about” The Class System. Even if the characters do not discuss them explicitly, these ideas and structures (Success, Social Class) shape the actions and reactions of the characters in the way that grammar shapes their speech.The same goes for the NYC housing market.
** This post from years ago offers a more complete explanation of the moral nostalgia that this song is satirizing.