False Messiahs -- 1400 of Them

August 12, 2013
Posted by Jay Livingston

Does a baby have to earn its name?

A judge in Tennessee has changed a baby’s name. The parents had gone to the judge in a dispute over the baby’s last name. They agreed on the given names – Messiah DeShawn Martin. But the judge deleted the Messiah and changed the order of the other two. The child is Martin DeShawn McCollough, at least for now. (The story is here among many other places.)

The judge acted on behalf of all Christianity.

The word ‘Messiah is a title and it’s a title that has only been earned by one person and that one person is Jesus Christ.

She also claimed that the name Messiah would harm the child.*

It could put him at odds with a lot of people, and at this point he has had no choice in what his name is.

That last part is indisputable. The kid is only seven months old. But the judge is bucking a trend.  Messiah as a given name is on the rise.

Last year, 761 other Messiahs entered the US population bringing the total to over 1400. They got their names the old-fashioned way. They didn’t “earn” them. Only one Messiah, if the judge is correct, earned the name.

The judge didn’t say how she felt about Jesus. But for some reason, the coming of Messiah matches a waning in the popularity of Jesus. 

----------------------
*In an earlier post, I noted that in Italy, a civil official to “advise and dissuade overly-creative parents” who propose names that are “ridiculous, shameful, or embarrassing.” I added that in the US, no such restrictions applied.  The parents have appealed the judge’s decision, and I expect that they’ll win.

Working Class – Out of Sight, Out of Mind

August 6, 2013
Posted by Jay Livingston
Cross-posted at Sociological Images

In survey questions, the result you get might depend on the choices you offer.

An article at The Atlantic (here) explains “Why Americans All Believe They’re Middle Class.”  But is that what we all believe?  The author, Anat Shenker-Osorio, started from these numbers from a September 2012 Pew report.

Only 8-9% of Americans put themselves in the lower or upper class. The other 91% say that they are “middle class,” some with a modifier (upper or lower), some without. Shenker-Osorio continues:

Researching how people’s unconscious assumptions affect their perception of economic issues, I explored the linguistic dynamics behind the term “middle class,” especially in comparison to other economic groupings.

Exploring unconscious assumptions would be fine, except that both she and Pew made one huge omission:  the Pew survey didn’t include Working Class as an option.  Out of sight, out of unconscious assumptions.

How big an omission is this? Since 1972, the GSS has asked a similar question to tap “subjective social class” (i.e., what class people think they are regardless of their objective circumstances).  But the GSS includes “working” along with the upper, middle, and lower.They are the blue part of the bars in the chart below.

Like the Pew survey, the GSS finds less than 10% putting themselves in the upper or lower class.  But for the past forty years, the remaining nine-tenths of the population have been evenly split between “working” and “middle.”

Shenker-Osorio’s linguistic analysis runs into other data conflicts.  It’s not always easy to know what Americans mean by upper, lower, or middle class, she says, because 

Americans are relatively skittish about mentioning class. Contrasting databases of text from U.S. and UK sources, we find that Brits use “upper class” and “lower class” more readily; we prefer “wealthy” and “poor.”

But another database, the books in Google nGrams, shows something much different.  I constructed a ratio of American to British for the terms “upper class” and “lower class.”  A ratio of more than 100% means that the term appeared more frequently in American books.

(Click on an image for a larger view.)

In general, since 1900, US and UK books used these terms at about the same frequency.  But from 1955-1965, the US heard a crescendo in class talk. By 1965, US books mentioned the “lower class” four times as often as did UK books.  After 1965, class talk in the US declined as rapidly as it had increased. (For some reason, Shenker-Osorio was unaware of my earlier post on these matters.)

The real US-UK difference is in “working class,” the term that Shenker-Osorio ignores. Since 1935, it has appeared less frequently in US books.  For the last 30 years, British books have mentioned the working class twice as often.

It may be that the databases Shenker-Osorio used are better than nGrams, and it’s frustrating to find different sources of data pointing in different directions.  More important, we still don’t know what people mean when they say they are middle class. Shenker-Osorio sees it as a category of exclusion.  The images we have of upper and lower are so extreme as to apply to almost nobody.

Not finding popular depictions of wealth and poverty similar to our own lived experiences, we determine we must be whatever’s left over.

True perhaps, but it tells only what people think middle class is not. I’m not familiar with the research on subjective social class, but it seems that we still don’t know what people think “middle class” actually is.  Nor do we know what they have in mind when they say they are working class.  I have my own hunches, but I will leave them for a later post.

“Blue Jasmine” – Social Class Made Simple

August 4, 2013
Posted by Jay Livingston

Long ago, some comedy sketch team did a parody of Tennessee Williams style Southern drama. At one point, the young woman asks what she’s doing that has turned people against her.  The Big Daddy-ish character tells her: “Drinkin’, lyin’, and puttin’ on airs.” 

The joke is that in American culture, all sorts of sins can be overlooked.  Lying, cheating, drinking, robbery, drug dealing, murder and other forms of violence – none of these necessarily disqualifies a character from being an admirable person or what we used to call a hero.  Puttin’ on airs is another matter. 

The line popped into my head as I was watching “Blue Jasmine,” Woody Allen’s retelling of the “Streetcar Named Desire” scenario.  A pretentious and slightly delusional woman suddenly falls from her life of great wealth and has to move in with her working-class sister Ginger in San Francisco.  Hilarity does not ensue.  (Come to think of it, “Streetcar” doesn’t have too many laughs either.) We cringe at each scene where Jasmine disdains the tastes of the people in her sister’s working-class world. We egalitarian Americans are put off by the character who takes pride in his or her educated, sophisticated tastes.  That character is heading either for a bad end or perhaps a redeeming turnaround complete with a slice of pizza and a lite beer.

“Streetcar” was a fish-out-of-water story – delicate Blanche in the home and world of the coarse Stanley Kowalski. “Blue Jasmine,” with flashbacks that contrast Jasmine’s former life of opulence in New York with her sister’s working-class world, is more of a morality tale about social class.  And that tale is none too subtle. The elite – especially as represented by Jasmine’s husband Hal (Alec Baldwin)  – are greedy, dishonest, selfish, and narcissistic. Hal is a Bernie Madoff type but with a string of sexual infidelities added to his financial frauds.  Jasmine, like Blanche du Bois, manages to keep herself from seeing the obvious.  (Blanche and Jasmine share a similar neurotic style, though Jasmine nourishes hers with seemingly unlimited quantities of vodka and Xanax). 

Worse, the elite (Hal and Jasmine) destroy the hopes and dreams of the working class Ginger and her then-husband Augie. When they win $200,000 in the lottery, they consult Hal, the successful businessman, about how Augie might use the money to start his own business.  Instead, Jasmine and Hal persuade him to invest the money in one of Hal’s ventures with a promised 20% return. The working-class couple lose everything, and their marriage dissolves.
                                   
This negative portrayal of the wealthy (seemingly a requirement in American films) is mirrored in the purity of virtue shown by the film’s working class. It was not always thus. In “Streetcar,” Stanley is not only coarse-mannered and insensitive to Blanche’s mental fragility. He beats his wife Stella, and in the scene that the play has been building to, he deals with his conflict with Blanche by raping her.

Stanley’s “Blue Jasmine” counterparts are Augie, Ginger’s first husband, and Chili, her current almost-fiancé, an auto mechanic.* These characters  are less conflicted, less nuanced. They are basically saints wearing wifebeaters. When Chili gets justifiably angry – Ginger has slept with another man – he breaks a lamp, but he doesn’t hit anyone, and later, he cries. 

Wealthy bad, working-class good.  It’s just about as simple as that.** Of course, you don’t go to “Blue Jasmine” for a realistic and complex depiction of class relations in the US. Movies must simplify some elements for the sake of others.  You go to “Blue Jasmine” to see a tour de force performance by Cate Blanchett in a well-told tale.

[As with most films today, the trailer provides a fairly complete plot summary.]
-----------------------------

* The movie follows one other Hollywood convention: to signal working class status, a character must speak with a New York working-class accent.  It matters not whether the film is set in Pittsburgh, Chicago, or San Francisco.  Working-class characters have to speak as though it’s Brooklyn.

** The two middle-class men in the film are not evil but are seriously flawed, principally because of the way they act on their libidinal impulses. 

James Baldwin (dredged from the SocioBlog archives)

August 3, 2013
Posted by Jay Livingston

Reading that yesterday, August 2, was the birthday of James Baldwin, sent me back to a post I did six years ago. The point I was trying to make in that post was that Baldwin was a better sociologist than he was a novelist. Baldwin, Black and gay, had left the US for Europe in 1948, returning periodically to the US.  I excerpted a quote from Baldwin commenting on the differences in social structure and mobility between Europe and the US and how these affect the task of a novelist.

I added that where Baldwin uses the word writer, we could easily substitute sociologist.

    American writers do not have a fixed society to describe. The only society they know is one in which nothing is fixed and in which the individual must fight for his identity. . .

    The time has come, God knows, for us to examine ourselves, but we can only do this if we are willing to free ourselves of the myth of America and try to find out what is really happening here.

    Every society is really governed by hidden laws, by unspoken but profound assumptions on the part of the people, and ours is no exception. It is up to the American writer to find out what these laws and assumptions are.

That last paragraph sounds like it might have been written by C. Wright Mills.

And here is my concluding sentence in that blog post of May 2007:

Being an outsider, doubly so, does not guarantee that you’ll be a great novelist [or sociologist], but it does make you aware of the “laws and assumptions” that others take for granted and often do not notice.