Uncertainty and Foreboding. Are Things Really Falling Apart?

December 26, 2014
Posted by Jay Livingston

Don’t be fooled by the stories in the headlines or on the evening news, says Steven Pinker in an article for Slate (here).  Those stories are about death and devastation, and they reinforce a popular but incorrect picture of a world in chaos.

I think Robert McNamara was the first government official to use the quote from Yeats that has now become a cliche in this regard:

Things fall apart; the centre cannot hold;
    Mere anarchy is loosed upon the world,*

Or as Times columnist Roger Cohen said just two months ago (here),

Many people I talk to . . . have never previously felt so uneasy about the state of the world. . . . The search is on for someone to dispel foreboding and embody, again, the hope of the world.

A few weeks later, in his year-end summary (in verse, no less), Cohen repeated the same idea: “The world has never seemed more fragile.”

Never? Nonsense, says Pinker. As a nation and as a world, we’ve never had it so good.  And unlike the journalists reviewing their headlines and ledes, Pinker backs up his never-better diagnosis with data from the last quarter-century.  Murder, rape, war, mass killing, genocide, dictatorships – all down. Democracy – up. 



As the graphs show, things look pretty good. So why the despair? Pinker, a cognitive scientist, has basically one answer: the availability heuristic:

As long as violence has not vanished from the world, there will always be enough incidents to fill the evening news. And since the human mind estimates probability by the ease with which it can recall examples, newsreaders will always perceive that they live in dangerous times. All the more so when billions of smartphones turn a fifth of the world’s population into crime reporters and war correspondents.


True, but there’s something else, and I’m surprised that Pinker misses it: we are uneasy about the world today because of its uncertainty.  It seems worse than anything that’s gone before because we know how those things in the past turned out. 

The trouble with all the current problems that we can so easily think of – ISIS, climate change, global recession, and the rest – is not just that they’re bad but that they might get worse, and in ways that we can only imagine. (Of course we can only imagine them. They haven’t happened yet.) Hence, Cohen’s “foreboding” and “uneasy” feelings. 

Bad stuff happened in the past – recessions and crime and wars and global threats. But we survived them all, those of us who are still alive. Some things turned out terribly (Rwanda, Cambodia, Chernobyl, etc.), but they are over now, so we need not feel any sense of foreboding. In most cases, we don’t even feel much afterboding.  Even when the underlying problem remains, if we live with it long enough, it becomes familiar. So as long as it doesn’t get much worse, we learn to live with it.

By definition, what is familiar cannot be uncertain, so it causes less anxiety.  Back in the high-crime years of the 1960s and 70s, surveys found that people felt safer in their own neighborhoods than in unfamiliar neighborhoods – even when their own neighborhoods had a much higher crime rate. I remember phoning a guy for directions to his party in some NYC neighborhood I didn’t know. “Is it safe?” I asked. “Of course it’s safe,” he said indignantly.  When people asked the same question about my neighborhood, I’d give the same answer. “Of course, it’s safe.” I lived across from Needle Park, and I would sometimes see junkies on the nod, standing in stupor on the sidewalk. There were murders in Riverside Park two blocks away. But I had not been personally victimized, and the junkies became part of the taken-for-granted landscape.

My cognitions were adapting locally, but globally we do the same thing. The 1964 movie “Dr. Strangelove” is about a nuclear confrontation between the US and the Russia. People worried about that back then.  Today, both those countries still have more than enough nuclear warheads to blow up the world, and there have been some Strangelovian close calls. But the uneasiness, fear, and uncertainty of the 1960s have passed. Or as the full title of the movie says, “How I Learned to Stop Worrying and Love the Bomb.” It’s not that we love the bomb, but we have stopped worrying. 

When Roger Cohen and other handwringers look back at 2014 from the distance of a decade or probably less, they won’t see it with unease. Today’s problems won’t seem so threatening. They will instead be something that we lived through. And maybe, just maybe, they will also look at the data on long-term trends.

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* I recall some journalist reporting that he overheard McNamara use this quote during a dinner party conversation. McNamara, Secretary of Defense for both JFK and LBJ, was one of the most important among the folks who brought us Vietnam. So I doubt that his quoting of Yeats extended to the next line of the poem, the one about “The blood-dimmed tide.”  My memory of this whole thing could be faulty. I’ve searched using Google and the Times index but can find no reference to it.

Whose Anecdote Is This Anyway?

December 22, 2014
Posted by Jay Livingston
(This is a revised post. The original version was different in tone.)

How much can we trust the memory of a memoirist?

In Cheryl Strayed’s memoir Wild (now a movie starring Reese Witherspoon), a man she meets on the road tells her a very unusual anecdote. A few days later, she will read that same anecdote in a book.  The echo cannot be coincidence. The anecdote is too special.

According to the jacket flap, Wild: From Lost to Found on the Pacific Crest Trail is  “A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike.”

Strayed leaves the trail at times to check back in to civilization or to circumvent stretches of the trail locked in by snow. After one such detour about halfway through her journey, she is hitching back to the Pacific Crest Trail (PCT). An old Ford Maverick stops to offer a ride – a woman and man in the front seat, another man and a dog in the back. She accepts.

The man sharing the back seat with Strayed is Spider – “his dark hair woven into a thin braid. He wore a black leather vest without a shirt underneath and a red bandanna tied biker-style of the top of his head.”

“What are you doing on the road anyway?” Lou asked from the front seat.

I went into the whole PCT shebang, explaining about the trail and the record snowpack and the complicated way I had to hitchhike to get to Old Station. They listened with respectful, distant curiosity, all three of them lighting up cigarettes as I spoke.

After I was done talking, Spider said, “I’ve got a story for you, Cheryl. I think it’s along the lines of what you’re talking about. I was reading about animals a while back and there was this motherfucking scientist in France back in the thirties or forties or whevever the motherfuck it was and he was trying to get apes to draw these pictures, to make art pictures like the kinds of pictures in serious motherfucking paintings that you see I museums and shit. So the scientist keeps showing the apes these paintings and giving them charcoal pencils to draw with and the one day one of the apes finally draws something but it’s not the art pictures that it draws. What it draws is the bars of its own motherfucking cage. Its own motherfucking cage! Man, that’s the truth ain’t it? I can relate to that and I bet you can too, sister.

“I can,” I said earnestly.

“We can all relate to that, man,” said Dave, and he turned in his seat so he and Spider could do a series of motorcycle blood brother hand jives in the air between them.

Twenty pages later, Strayed is reading a book. Before she started her journey, she mailed packages to herself, addressed to post offices along the Pacific Crest Trail.  The packages contained replenishment of food, supplies, and books.  On the trail, Strayed would tear out and burn the pages as she read them – no sense carrying around the extra weight – and start a new book at the next postal station.

A few days after her ride with Spider, she picks up one such package. “I sat for hours reading the book that had come in my box – Vladimir Nabokov’s Lolita – while waiting for my boots to arrive.”

Strayed doesn’t mention it, but at the end of Lolita is an afterword, “On a Book Entitled Lolita,” that Nabokov added for the US edition (Lolita had originally been published in France.)  Here, in part, is the third paragraph:

The first little throb of Lolita went through me late in 1939 or early in 1940, in Paris . . . . As far as I can recall, the initial shiver of inspiration was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.

Here is the sequence according to Strayed. Spider tells her the ape-cage/art-bars story. A few days later she reads Lolita, which, though she does not mention it,  contains this same story.  Did she really encounter this anecdote twice? Whose memory is speaking – Spider’s or Nabokov’s?

Spider, despite the “I was reading about animals” intro, doesn’t seem like someone who has read much literature or zoology.  Maybe in writing her memoir fifteen years later, Strayed remembers the ape parable, probably because it so perfectly reflects her state of mind at the time.  In her memory, the story sits in the heat and the mountains, someplace near the Trail. In a hike of three months and 1100 miles, her memory is off by only a few days and a hundred miles.  But that’s enough for her to confuse her sources. She gives the story to Spider and rewrites it in his idiom.

At first I thought that Strayed might be deliberately copying Nabokov, appropriating his remembered throb and translating it into the voice of one of her characters. Maybe she did. But the passage certainly does not seem like an homage to Nabokov or evidence of his influence or inspiration.* Besides, if she had been consciously ripping off the master’s material, wouldn’t she fear that some readers might notice? 

Till now, apparently nobody has.
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* I’ve mentioned this problem before (here) in connection with a Kate Walbert story that appeared in the New Yorker.  Lorrie Moore’s 2012 story “Referential” very clearly references Nabokov’s “Signs and Symbols.” (My post on that is here.)

Antiquated Ideas

December 16, 2014
Posted by Jay Livingston

Who’s afraid of Virgina Woolf? The answer seems to be: men.

MessyNessyChic (here) has posted some anti-women’s-suffrage posters from the 1890s and early 1900s.* The common theme is fear – fear that allowing women to vote will destroy masculinity.


The anti-suffrage logic rests on the assumption that voting is masculine. Therefore women who want to vote are masculine, and men who would allow women to vote are feminine. If women get the vote, it’s the end of masculinity as we know it. Gender roles will not just be more similar, they will be reversed.


This masculinity must be very fragile. It cannot survive unless the game is rigged so that men start with all the high cards – economic, social, political, and legal. Anything resembling a fair deal, and masculinity shrivels. Of course today, nearly a century after the Nineteenth Amendment, men’s anxiety about equality is hard to find. Or is it? 

I live in a politically liberal district, Manhattan’s Upper Left Side, but the other day, I found this message chalked on the sidewalk outside an Irish bar.


If you really want to see the revival of the fears animating those anti-suffragette posters, wait till Hillary Clinton gets the nomination in 2016, and watch for the reaction on the right.  Republicans seem to infuse many political questions with masculinity-anxiety. In 2009, when Obama ordered the CIA to stop using torture, conservatives argued that he was “emasculating” the CIA. Yes, that’s the word they used. (See my post from September, 2009, here.) Some ideas and anxieties are just timeless.

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* The Nineteenth Amendment was finally ratified in 1920, more than a half-century after the Fifteenth Amendment guaranteed all races the right to vote.

Preaching to the Working Class

December 16, 2014
Posted by Jay Livingston

Can’t these conservatives agree on what’s wrong with liberals?

It was only a couple of years ago that Charles Murray was berating successful, upper-middle class liberals for not preaching to the White working class. They had gotten good educations, worked steadily at their jobs, and stayed married. But they didn’t try to inculcate these virtues in others. They didn’t even know those others or their culture.  The well-off liberals were keeping poorer Whites in the dark about how to be successful.

Now comes Ross Douthat saying that liberals are in fact preaching to the working class to follow their ways. The trouble, as Douthat sees it, is that those ways are not good.

In his Sunday column, Douthat considers “arguments about how policy might improve the fortunes of the unemployed and the working class.” He refers specifically to the idea of working class people imitating the lifestyles of the educated and prosperous.

Many optimistic liberals believe not only that such imitation is possible, but that what needs to be imitated most are the most socially progressive elements of the new upper class’s way of life: delayed marriage preceded by romantic experimentation, more-interchangeable roles for men and women in breadwinning and child rearing, a more emotionally open and egalitarian approach to marriage and parenting.

Have “many liberals” really made this argument? Back in July, I myself was Douthat’s designated “many liberals” (see Douthat’s blog here ), yet I have never said anything like this. Some liberals have argued that working class marriages would be less brittle if husbands and wives were less rigid about gender roles.* But as far as I know, liberals do not see this as the roadmap to prosperity. If you know of any (or many) liberals who make this claim, please let me know.

Douthat and fellow conservatives like Brad Wilcox, who Douthat cites favorably, do see a link between marriage patterns and income.  And these intellectuals have no problem preaching to the working class about how to get richer, and the sermon is fairly short: marriage and religion. “Oh my working class brethren, they say,  imitate us upper-middle class conservatives. Get married, stay married, and go to church. If you do that, prosperity is just around the corner.”  As Robert Rector, the Heritage Foundation’s chief poverty guy put it, “Being raised in a married family reduced child’s probability of living in poverty by about 82 percent.” (An earlier post about this deliberate scrambling of cause and effect is here.)

Basically, what these conservatives (Douthat, Wilcox, Regnerus,** et. al.) don’t like is sex, or rather sexuality. When Douthat refers to “romantic experimentation” in the quote above, you can almost see him biting his tongue, restraining the impulse to use some more vivid and morally loaded term. Since sexuality is bad, it must have all sorts of bad consequences. That’s the assumption underneath the preaching by the columnists and politicians; the same evil-causes-evil assumption motivates the research by conservative social scientists. Their sound-bite for the news or their abstract for the journal is this: Unless sexuality is tightly wrapped in marriage, it’s bad for society and bad for individuals.

Maybe, but I have serious doubts as to its connection with economic success. As I said (and graphed) in that earlier post, for the last 40 years, marriage rates have been falling and out-of-wedlock childbirth has been rising. But these changes in the family show little connection to changes in the rate of poverty.

So if it’s not the decline of marriage that’s eroding the incomes of the working class, what is it? As one of our more successful working-class-to-upper class exemplars put it (perhaps also an exemplar in “romantic experimentation”): it’s the economy, stupid.

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* Stephanie Coontz, I think, makes this argument (HT: Philip Cohen, who knows the literature on marriage far better than I do.)

** Regnerus, you may recall, was the principal researcher in the study that purported to show that children of gay parents have far more problems than do the children of straight parents.