Is It Trivia?

May 21, 2016
Posted by Jay Livingston

 Is knowledge important? Or in the age of the Internet, is it all just trivia?

1. A quiz posted on Facebook says “97% of Adults Can’t Pass This Elementary Test (21 Questions).” What is the closest planet to the sun is, where was Einstein was born, which president served three consecutive terms. . . .

I could answer most of the questions. But instead of basking in the glow of the screen’s telling me I was a genius, or being horrified that so many of my fellow Americans flunked, I was bothered by the more important question: so what? What’s the point of knowing facts like these? Unless you’re going to be on Jeopardy, does it matter any more? Most of the 97% do not need to know which planet is closest to the sun, and if they did ever need that information, they could find it on the Internet.

And yet, I probably use someone’s knowledge of stuff like this as a proxy for their ability to think.

2.  Most multiple-choice exams are based on this same assumption – that students who can remember more facts are better students. Years ago I was discussing this with an economics adjunct who had an office near mine.  “Why not use multiple-choice tests for grading?” I said. “If you used some other kind of test, you’d get the same results.”

    “Then why not just ask them their parents’ income?” he said. “You’d get the same distribution.”

3. I told one of my classes that they could choose the kind of final they wanted: open book – meaning books, notes, phones, whatever – or traditional. With open book, I warned, the questions will be harder– not just giving a definition or fact. Even the multiple-choice items will require you to think. I gave them this free sample:

A Mastercard ad shows a father and son at a baseball game.  The voiceover says, “Two tickets $46. Two hot dogs, two popcorns, two sodas $27. One autographed baseball $50.  Real conversation with eleven-year-old son, priceless.”  The idea that conversation with your own son is “priceless” – that its value cannot be put into dollars – means that its value is     a.    worthless     b.    utilitarian     c.    universalistic     d.    particularistic

Besides, I said, looking up stuff on the Internet or in your books, notes, or downloaded PowerPoints takes time, time that you’ll need for writing.

“So now, how many want open book?” I asked. Hands flew up. It wasn’t even close.

4. Question #10 on the Facebook quiz:

More trivia, important, if at all, only because the US is still stuck with its pre-metric system.

The day after I took this test, I was in the locker room at the gym. One guy there had an empty three-liter Poland Spring jug, He must have been about to use it to mix up some energy elixir. He was asking his friend how many ounces in a gallon, wondering, I guess, if the jug would be large enough. The directions for the magic powder he’d bought probably told him to mix so many scoops with one gallon of water. 

The label said three liters or 101.4 ounces.  The friend was pretty sure that a gallon was 162 ounces. Oh, well. When it’s time to mix the cocktail, they can look it up on their smart phones. And if they don’t, the guy with the jug didn’t look like someone whose buffness would suffer much from a potion that, like his general knowledge, was too diluted.

Auctions – Making a Killing

May 12, 2016
Posted by Jay Livingston

Anything can happen at an auction, especially when the item is unique. The baseball that was hit for a record-setting home run is indistinguishable from the baseball you can buy for $25 or less at Wal*Mart. But it’s worth more because of its close association with an important event or person.

How much more? If there has been a market for that kind of item, we can make a fairly good guess. Maybe we know what other home-run balls have gone for the same way we know the auction histories of Rothkos, Chippendales, and other collector’s items.

But what if the object is truly unique? What if the event, unlike record setting home runs, happened only once and will never happen again. And to add to the uncertainty, what if the bidders are similarly unknown – people who have never entered an auction?

(Click on the image for a larger view.)

Yes, George Zimmerman is auctioning the gun he used to kill Trayvon Martin. I’m curious to see what happens. As far as I know, there’s no established or even occasional market for guns used in celebrated killings.

Some objects acquire their value because of they carry the magical power of the person they belonged to. A celebrity’s signature, a rock star’s sweaty t-shirt tossed to the audience. But I suspect that the bidders want this gun not because it was touched by Zimmerman. Even gunslingers, I would guess, don’t see him as a charismatic figure. Instead, the value lies in the sacred event. It’s like buying a piece of the Berlin Wall. The event in this case is the killing of Trayvon Martin and all its symbolic meaning. Even Zimmerman makes that point in the description of the item.

(Click to enlarge. Or see the text, in a readable font size, at the bottom of the page.)

Zimmerman also stresses the gun’s symbolic political meaning. He says that “a portion” of the money will go for political purposes.

How much is it worth to own the crucial artifact of that killing? We’ll know by tomorrow.

You can bid on the gun here. Bidding starts at $5000.

Text of the auction description

Prospective bidders, I am honored and humbled to announce the sale of an American Firearm Icon. The firearm for sale is the firearm that was used to defend my life and end the brutal attack from Trayvon Martin on 2/26/2012. The gun is a Kel-Tec PF-9 9mm. It has recently been returned to me by the Department of Justice. The pistol currently has the case number written on it in silver permanent marker. Many have expressed interest in owning and displaying the firearm including The Smithsonian Museum in Washington D.C. This is a piece of American History. It has been featured in several publications and in current University text books. Offers to purchase the Firearm have been received; however, the offers were to use the gun in a fashion I did not feel comfortable with. The firearm is fully functional as the attempts by the Department of Justice on behalf of B. Hussein Obama to render the firearm inoperable were thwarted by my phenomenal Defense Attorney. I recognize the purchaser's ownership and right to do with the firearm as they wish. The purchaser is guaranteed validity and authenticity of the firearm. On this day, 5/11/2016 exactly one year after the shooting attempt to end my life by BLM sympathizer Matthew Apperson I am proud to announce that a portion of the proceeds will be used to: fight BLM violence against Law Enforcement officers, ensure the demise of Angela Correy's persecution career and Hillary Clinton's anti-firearm rhetoric. Now is your opportunity to own a piece of American History. Good Luck. Your friend, George M. Zimmerman ~Si Vis Pacem Para Bellum~

UPDATE: As you know if you clicked on the link, the 9 mm piece of history has been removed from the auction site. Neither GunBroker.com nor Zimmerman has offered an explanation.

Sometimes I Feel Like . . . a Muddledness Child

May 1, 2016
Posted by Jay Livingston

Molly Worthen* is fighting tyranny, specifically the “tyranny of feelings” and the muddle it creates.  It’s a tyranny without a tyrant (sorry, Obama haters; you can’t pin this one on him). Instead, it’s like the Yeerks in the Animorphs books my son used to read – worm-like aliens that slip in through a human’s ear, wrap themselves around his brain, and take over his thought. We don’t realize that our thinking has been enslaved by this tyranny, but alas, we now speak its language. Case in point:

“Personally, I feel like Bernie Sanders is too idealistic,” a Yale student explained to a reporter in Florida.

Why the “linguistic hedging” as Worthen calls it? Why couldn’t the kid just say, “Sanders is too idealistic”? You might think the difference is minor, or perhaps the speaker is reluctant to assert an opinion as though it were fact. Worthen disagrees..

“I feel like” is not a harmless tic. . . . The phrase says a great deal about our muddled ideas about reason, emotion and argument — a muddle that has political consequences.

The phrase “I feel like” is part of a more general evolution in American culture. We think less in terms of morality – society’s standards of right and wrong – and more in terms individual psychological well-being. (I almost always dislike the phrase “in terms of,” but in this case, it is apt. I am talking about words.) The shift from “I think” to “I feel like” echoes an earlier linguistic trend  when we gave up terms like “should” or “ought to” in favor of “needs to.” To say, “Kayden, you should be quiet and settle down,” invokes external social rules of morality. But, “Kayden, you need to settle down,” refers to his internal, psychological needs. Be quiet not because it’s good for others but because it’s good for you.

In an earlier post (here) I reported that “needs to” began its rise in the late 1970s. “I feel like” is more recent, says Worthen, going back only a decade or two.

[Update: After I originally posted this, Philip Cohen ran “I feel like” through Google nGrams, as did Mark Liberman at Language Log, and found that, like “needs to,” the phrase “I feel like” began its rise in the late 1970s,not in the 90s as Worthen seems to think. Here is my own nGrams version. To ensure that “I feel like” excludes phrases like “I feel like taking a walk ” or “I feel like a motherless child,” I added a pronoun so that “I feel like” has to be followed by a clause, e.g., “I feel like he is too idealistic.” To get both lines on the same grid, I had to multiply “I feel like” uses by 500.]

Regardless of when the tide of “I feel like” starts its rise, Worthen finds it more insidious. She says that the phrase defeats rational discussion. You can argue with what someone says about the facts. You can’t argue with what they say about how they feel.

Worthen is asserting a clear cause and effect. She quotes Orwell: “If thought corrupts language, language can also corrupt thought.” She has no evidence of this causal relationship, but she cites some linguists who agree. She also quotes Mark Liberman, who does not agree and is much calmer about the whole thing. When you say, “I feel like. . .” people know what you mean despite the hedging, just as they know that when you say, “I feel,” it means “I think,” and that you are not speaking about your actual emotions.

The more common “I feel like” becomes, the less importance we may attach to its literal meaning. “I feel like the emotions have long since been mostly bleached out of ‘feel that,’ ”

Worthen nevertheless insists on the Yeerkish insidious quality of “I feel like.”  “When new verbal vices become old habits, their power to shape our thought does not diminish.” She does not provide any evidence to show that “I feel like” has actually shaped our thoughts or that it has a shadowy power to cloud men’s minds.

“Vices” indeed. Her entire op-ed piece is a good example of the style of moral discourse that she says we have lost. Her stylistic preferences may have something to do with her scholarly ones – she studies conservative Christianity. No “needs to” for her. She closes her sermon with shoulds:

We should not “feel like.” We should argue rationally, feel deeply and take full responsibility for our interaction with the world.

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*Worthen’s op-ed in today’s New York Times is here.

Happy Birthday, Duke

April 29, 2016
Posted by Jay Livingston

Edward Kennedy Ellington, born April 29, 1899.  His work – its quality, quantity, and diversity – is one of the treasures of American music. And he wrote most of it while working full-time as CEO of a touring band. Here is a 1940 recording of “Cottontail” – “modern jazz before there was ever such a term,” according to David Rickert (here)

One early morning years ago, I was driving to work, feeling not especially cheerful about, well, everything. The radio was on – WBGO – and the DJ played this recording, and suddenly the fog lifted. I especially like the saxophone section chorus that starts shortly after the 2:00 mark.

There’s also Ben Webster’s famous solo on the second chorus – “one of Webster's best solos, and also one of the greatest ever recorded,” says Rickert ,adding that it’s a great example of a solo telling a story. But for the full story, listen to the lyric by Jon Hendricks –  Beatrix Potter meets Duke Ellington. It begins,

Way back in my childhood
I heard a story so true
’Bout a funny bunny
Stealing some boo from a garden he knew.

(Hendricks wrote it in around 1960 – it’s on LHR’s 1962 album (listen here). But “boo” is a 1940s term for what we now call weed. )