Posted by Jay Livingston
Three weeks ago, I posted this photo on my Facebook, adding that apparently KEEPOFF had a solid fan base at the Jersey shore.
Perfect. It’s what people always say about rock groups. At least, it seems that way to me. Is there systematic evidence of the earlier-was-better bias? Well, sort of.
Philip Cohen asked people to rate performers twice on a scale of 1 (“terrible”) to 5 (“great”):
- how good were they in the 70s?
- how good were they in the 80s?
(Click on the image for a larger view.)
Most groups are on the 1970s side of the line of equality. And of those few who were better in the 80s, except for Pat Benatar and perhaps Prince and Michael Jackson, the degree of improvement is small.
Philip’s explanation (here) is that his respondents are accurate reporters – music really did go downhill in the 80s, along with the whole damn Zeitgeist.
As I look back on these events – Reagan, the Cold War, sell-out music – in the context of what I thought of as my emerging adulthood, they seemed to herald a dark future, in which loss of freedom and individuality, the rise of the machines, and runaway capitalism was reflected in the decline of rock music. |
Maybe. But maybe the results in this graph might not be so fixed in the historical moment. My guess is that Philip would have gotten similar results no matter what dividing point he chose. And not because of some inevitable law of musical entropy. It’s not the music, it’s the audience. The sound of a group or performer when they first become popular defines who they are. And that’s what we want to hear. We think: that’s what they sound like, and I really like it.
But what happens after a few years? The group can keep turning out music that sounds pretty much the same. We the fans think: yeah, it still sounds like them. But we don’t get that same thrill we had when we first heard them or saw them in concert.
Or the performers get bored and search out new sounds. They then risk losing their audience. A few can bring their audience along with them in these new explorations, like Dylan when he went electric or the Beatles with “Sgt. Pepper” and beyond. But these, I think, are exceptions.
My guess is that the graph looks the way it does for the same reason that we have oldies stations. We want to hear the songs that made us fans to begin with. Their early stuff was way better.