Your Cheatin’ President

April 7, 2019
Posted by Jay Livingston

“How you do one thing is how you do everything,” says Rick Reilly, author of Commander in Cheat: How Golf Explains Trump.

Reilly may be right about Trump and golf. But that “How you do one thing” aphorism is wrong, even about Trump.

Reilly was on the podcast “Right, Left, Center,” interviewed by the show’s podcaster-in-chief Josh Barro. 



Here’s a redacted transcript.

Rick Reilly: He kicks the ball so much the caddies call him Pele. He kicks the ball, he throws it out of bunkers, they throw it out of lakes. But he kicks other people’s balls into the bunker so that he wins. Josh Barro: . . . in his presidency he was surrounded by people all the time who know he’s cheating. Rick Reilly: . . . His caddies all get paid to cheat for him, and so they’re kind of his Cohens. They’re always out there doing the dirty work, and then he can say he never touched the ball. Well, OK, you pay your caddies to do it. I snuck into the Bedminster caddyshack, and they all said, “Well Trump doesn’t cheat. We cheat for him.” How you do one thing is how you do everything, and golf gives you a chance to look at that.

I like the image of Trump kicking his ball out of the sand trap, and kicking the ball of his opponent in. (After a shot, Trump has his “supercharged” golf cart speed up the fairway so that he gets to the balls while his opponents are still far away.)

But why kick? He could place the ball more accurately if he picked it up and tossed it. At first, I thought that it was one of those cognitive gimmicks that we use to give ourselves “plausible deniability.” Picking up the ball seems so deliberate, so unmistakably intentional. Kicking it could be accidental. Then it occurred to me that for Trump, bending over to pick up something off the ground might be too much of an effort.

Deniability is certainly the motive for paying caddies to do the actual rule-breaking. (In the interview, Reilly says, “he throws it out of bunkers, they throw it out of lakes.” I assume that the they in that sentence are Trump’s caddies.) The caddy, for Trump, serves basically the same function that the shabbos goy does for orthodox Jews, the chief difference being that Trump doesn’t brag about the arrangement. (An earlier post on the this topic is here.)

Reilly’s final statement — “How you do one thing is how you do everything” — sounds awfully good. It’s a very tempting and persuasive idea, one that we often use in judging “character.”  At the confirmation hearings for Brett Kavanaugh, women defending him insisted that the honorable and respectful way he acted as a boss, co-worker, or friend must also be the way he acted as a drunken teenager at parties. (See this post for a fuller discussion.) A lawyer who had known Kavanaugh professionally for 20 years, said that the man he saw in the hearings “seemed like a different person altogether.” (More here.)

Trump too can change his “presentation of self,” especially when he’s trying to get something — money from potential donors, for example. Or sex. Remember the “60 Minutes” interview with Stormy Daniels?

Anderson Cooper: How was the conversation?  Stephanie Clifford: Ummm (laugh) it started off— all about him just talking about himself. And he's like “Have you seen my new magazine?  Anderson Cooper: He was showing you his own picture on the cover of a magazine.  Stephanie Clifford: Right, right. And so I was like, “Does this — does this normally work for you?” And he looked very taken— taken back, like, he didn't really understand what I was saying. Like, I was, “Does, just, you know, talking about yourself normally work?”   [she describes threatening to spank him playfully with the rolled-up magazine]  Stephanie Clifford: So he turned around and pulled his pants down a little — you know had underwear on and stuff and I just gave him a couple swats.  Anderson Cooper: This was done in a joking manner.  Stephanie Clifford: Yes. and — from that moment on, he was a completely different person.   Anderson Cooper: How so? Stephanie Clifford: He quit talking about himself and he asked me things and I asked him things and it just became like more appropriate. [emphasis added]

There’s no doubt that Trump does a lot of cheating, also a lot of lying. Come to think of it, maybe that’s why the map of Trump support looks a lot like the map of country music. But in different circumstances, as Stormy Daniels says, Trump can become a different person — just  like Brett Kavanaugh, just like all of us.

That Word Again — More Taboo, Less Taboo

April 5, 2019
Posted by Jay Livingston

The latest issue of the Hasbrouck Heights High School journal, The Pilot’s Log, reports on their student survey.

• 98% of students polled hear or see the word used on a daily basis
• 85% of those students say the word was used in a non-derogatory manner
• 70% of students polled admit to using the word in a friendly manner

The word, of course, is nigger, or in the Pilot’s Log version “the N-word.”

OK, this survey isn’t the GSS. The editors make no claims for their sample (n = 160) as representative even of their school. As for Hasbrouck Heights, it’s an upper middle class suburb eight miles from New York City, median family income greater than $80,000. The high school students are mostly White, with some Hispanics, and fewer Asians. Less that 4% are Black.

Still, the results, whatever they’re worth, suggest contrary motion. At the same time that nigger is becoming less acceptable and more deplorable, it is also changing its meaning and becoming more widely used and accepted in places where it was once largely unspoken.

In the world controlled by grown-ups, the word is basically taboo — powerful and dangerous. It must be treated with special circumspection. Steven Pinker told the Pilot’s Log that their survey results surprised him.

In the public sphere . . . the word is more taboo than ever. . . Writers have been excoriated for simply mentioning the word as a word, commenting on how it is used . . . I notice that not even you spell out the word . . . but use the euphemism”’N-word” — that is an indicator of how taboo it is.

Note the important caveat Pinker starts with: “In the public sphere . . . .” He’s talking only about the world ruled by grown-ups, the world where even when Whites are not in control they are still within earshot. In private, of course, things are different. African Americans speaking among themselves do not accord nigger a sacred/taboo quality; maybe they never did. And now, among White kids as well, the word is apparently losing its strong overtones of denigration and hostility.

I would guess that the main cause of this change in usage among young Whites is hip-hop. The historical arc of rap resembles that of earlier Black music like the blues and R&B. Those too began as Black musicians speaking to Black audiences. Eventually, White folks listened in, especially White folks who wanted to be hip or cool. That’s true of rap as well, But rap, with its wordy and uncensored narratives, gives White listeners (and maybe Black listeners) the impression that this is how Black people really talk among themselves, or when they just don’t care what White people think.

As in the past, White people, especially young White people are adopting the  sounds and rhythms and moves of Black culture. Also its language. Not just new coinages (bro, 24/7). But some words that have been around for a long time are losing their White meaning and coming to be used the way they are used among Blacks. I’m not a linguist, but my guess is that dude and bitch fall into this category. Sixty years ago, a dude was a “city slicker” — a too-nicely dressed urban dandy, the guy who showed up at a “dude ranch.” Only among Blacks was it a generic term for men.*

Now, it seems that White kids are using nigger not with its White meaning — a nasty racist epithet — but with something more like its Black meaning. I noticed this five years ago seeing a bunch of middle-class White and Hispanic girls at a Sweet Sixteen party in the Bronx.

I was impressed watching these kids recite by heart the rapid-fire lyrics, and I realized they could do the same for lots of other rap hits. Those songs too have this same taboo word. Yet there they were, these sweet sixteen and fifteen year old girls, rapping along with Jay-Z about their gang of niggas. (The full blog post is here.)

I expect there may be some conflict during this evolution, some people insisting that it’s wrong to for certain people to use the word this way.**  But from being on the losing side of language battles too often, I expect that political arguments about what’s right will be just as ineffective as my shouting, “It’s ‘for you and me,’ not ‘for you and I,’” at the people on television.

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* In the early 1960s, a Black co-worker — we were shampooing rugs on site, and the boss, for purposes of future sales, wanted information on the homes we went to. My co-worker, filling out the form later, asked me, “How many rooms did that dude have in his crib?”

**See the famous 1975 SNL sketch (here) with Chevy Chase and Richard Pryor, where a job interview morphs into a tense battle of racial epithets.

Is Jeanine Pirro Taking Orders From the Pope?

March 18, 2019
Posted by Jay Livingston

Jeanine Pirro’s comment about Ilhan Omar (D - MN) is a perfect example of the variation on Betteridge’s Law I offered a while ago (here).

Whenever the title of a book or article is phrased as a question, two things are almost certain:

•     The author thinks that the answer to the question is “Yes.”
•     The more accurate answer is “No.”

In this case, the question in question is not a headline but part of her commentary about Rep. Omar.

Think about it: Omar wears a hijab. Is her adherence to this Islamic doctrine indicative of her adherence to Sharia law, which in itself is antithetical to the United States Constitution?

It’s a cheap rhetorical trick. It lets you promote an idea without having any evidence. And if challenged, you can claim that you were not making an accusation, but merely asking a question.

This time it didn’t work. Even Fox News suspended Pirro, saying that they “strongly condemn” her comments, and that the comments "do not reflect those of the network.”

My other reaction to this incident is: how soon we forget.

Pirro is a practicing Catholic. She was nine years old when John F. Kennedy ran for president. At the time, some Protestants argued that if Kennedy were elected he would be “taking orders from the Pope.” It’s the same charge that Protestant ministers made in 1928 against the country’s first Catholic presidential candidate Al Smith. Catholics, so the argument went, cannot be true to their religion and still uphold the Constitution. They are under the control of nefarious non-American religious sources.

 And now a Catholic commentator is making the same accusation against a Muslim that was made, in her lifetime, against her own co-religionists .

Danny Boy — Bill Evans

March 17, 2019
Posted by Jay Livingston

For a long time, I dismissed “Danny Boy” as a treacly song that was usually crushed under the weight of too much sentiment, especially on St. Patrick’s Day, especially by tenors. Yet never did I breathe its pure serene till I heard Bill Evans’s eleven-minute exploration of it.

The story I’ve heard (but haven’t fact-checked) is that after his bassist, the incredibly talented Scott LeFaro, died in an automobile accident in July 1961, Evans went into mourning, or at least stayed out of the studio. In April, 1962, Evans went into the studio alone, sat down at the piano, recorded four tunes, and walked out.

For the first few choruses, he stays very close to the melody, first in B-flat, then B-natural (!), then F. Only in the fifth chorus, back in B-flat, does he improvise single-note lines.

For more on Evans, see the documentary “Time Remembered” (available at Amazon Prime), which is also the title of the album on which this take was eventually released. If you watch it, or maybe if you just listen to this track, you will understand why I keep a picture of him on my piano.