Gary Burton, b. Jan 23, 1943

January 23, 2020
Posted by Jay Livingston

Sometime in the early 1970s, I was listening to the radio and heard Gary Burton’s recording of the great Jobim tune “Chega de Saudade” (inEnglish, “No More Blues.”)  It sounded like this. Go ahead, click and listen to at least the first 16 bars (15 seconds).

If you’ve never heard this recording before, you probably are thinking what I thought: That can’t be one person playing vibes. He’s overdubbing, accompanying himself, like Bill Evans on the “Conversations With Myself” album released ten years earlier.

But no, it’s just Burton by himself. “Alone At Last” as the title says. No overdubs, no tricks. Here’s a live version. You can see him holding the four mallets, sometimes playing chords, sometimes rapid single-note lines.

Burton revolutionized jazz vibraphone. Before Burton, jazz vibists had used only two mallets. Even if they used four to play chords when comping behind a soloist, when it came time for their own solo, they would lay two mallets aside. Burton even invented a different way of holding two mallets in each hand, now called the “Burton grip,” that allowed for an easier adjustment of the interval between the mallets in each hand. 

What had seemed an incredible feat nearly 50 years ago has now become a standard part of the vibes repertoire. On YouTube you can find a 22-year old Austrian kid playing Burton’s “Alone At Last” version note for note (here), and an 18-year old American girl playing her own Burton-inspired arrangement of the same tune (here),  the familiar part starts at about 0:55).

Burton is also one of the few gay jazz musicians. He came out during a Fresh Air interview in 1994.

Abortion Rights and Motherhood — That Was Then, It’s Also Now

January 20, 2020
Posted by Jay Livingston

I’ll tell you what’s wrong with these women, especially the ones in this #MeToo movement. They’re over sensitive. They get offended by any little comment. Men have to walk on eggshells or they get accused of being sexists. These women want to make their issues a big deal in this election, and now more of them are running for office, as though that’s going to make things better. Guess what.* It isn’t. Not for the country, not for men, and not for women.

It’s easy to imagine who would applaud this statement and who might want to wring its neck. It’s also easy to imagine how those people would divide on the issue of abortion. But why? The abortion debate  usually divides on the status of an embryo. The pro-life side argues that an embryo is a baby, with all the rights and protections that babies have, especially the right not be killed. Pro-lifers often equate abortion with infanticide.

That’s the audible part of the debate. The usually unspoken part is not about embryos. It’s about women. The #MeToo movement is not about embryos. It was a response to rape, sexual assault, and sexual harassment, especially by men in positions of power. Yet only 23% of people who oppose abortion have a favorable view of #MeToo, compared with 71% of those who favor the right to abortion in most or all cases.

(Click for a larger view.)

(The chart is from a survey of likely voters done last summer by PerryUndem and housed at the New York Times (here). I wasn’t aware of it at the time; it popped up yesterday in my Twitter.)

Thirty-five years ago Kristin Luker reported this same correlation among pro-life and pro-choice activists. I don’t recall whether she said explicitly that attitudes about the role of women shape ideas about the status of the embryo. Conceivably it’s the other way round: if you believe that an embryo is a person, you won’t think highly of #MeToo. But she gave her book the title Abortion and the Politics of Motherhood, implying that the primary issue is the role of women, specifically their role as mother, and that ideas about embryos derive from ideas about gender roles.

Luker interviewed leaders in the movements for and against abortion rights, so we don’t know whether their rank-and-file supporters also shared their respective ideas about motherhood. On most issues, not just abortion, activists have more politically consistent sets of views than do ordinary people who are less involved. But however those views lined up in the early 1980s, today the thinking of ordinary pro-life and pro-choice voters resembles that of the leadership.
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The Undem survey did not have a question explicitly about motherhood. But it did ask about something directly related to the decision of when and if to become a mother — birth control. Three-quarters of pro-choice voters agreed that access to birth control contributed to women’s equality. Only one-quarter (slightly more) or pro-life voters thought so. Why should pro-lifers discount the importance of birth control? The idea common to both issues is not the protection of innocent human life. If the condom, LARC, IUD, or other contraception works, there is no innocent life in the picture. Instead, the link is the question of how important it is that a woman becomes a mother.

Luker was right that motherhood and the role of women are the real issue in the abortion debate. They still are. She also predicted that the issue was going to remain contentious rather than becoming settled by civility, compromise, and moderation. She was right about that too.


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* “Guess what” gets a hat tip to Jim Jordan (R-OH). If you didn’t catch him at the House impeachment hearings — he was on both committees — just Google his name and that phrase.

Jeopardy II: Audiences — à la Goffman and ABC-TV

January 14, 2020
Posted by Jay Livingston

A Montclair professor who saw yesterday’s post about my having been on Jeopardy asked me how we could have known each other for decades without her knowing this about me. My answer is that it’s not the sort of thing you bring up. You don’t meet someone and say, “Hi, I’m Jay Livingston, and I was on Jeopardy.” It wasn’t a peg to hang even a small part of my identity on. I wasn’t even particularly proud of it. In Goffman’s terms, it was not a piece of “information” that was part of my “presentation of self” for the Montclair “audience.” Besides, that was a long time ago. I had a beard. I had hair. I had a suit with very wide lapels.

Here I am, between Mary, the woman from Virginia, and Pam, from Bloomfield, NJ. Italian American, mother of five. Poor Pam — already $40 in the hole at this early stage.  She finished in the red, and at Final Jeopardy was represented by an empty desk.

Even at the time, I didn’t tell people at work that I had been on the show. As I said when the host Art Fleming asked if I’d told my students, “No, but I expect word will get out.” But after the episodes were broadcast, nobody at the college said anything to me.

Fast forward eight years. The first day of the school year, a warm day in early September. I do my usual first-day routine — have students fill out 3" x 5" index cards (name, phone, major, etc.), go over the syllabus, talk about grading, including my standard pitch about class participation. It doesn’t count towards your grade, I say, but if I’m the only one here who talks, it’s going to be a very long semester.

And don’t be reluctant to ask a question, I add emphatically. In fact, here’s your first lesson in sociology. We think of our thoughts and feelings as internal and individual. But we’re less unique than we think. Our reactions are also social; they’re part of the situation. You all share the same situation — this class — so if there’s something you didn’t get or aren’t sure of, I guarantee that there are others here sharing this same situation who had the same reaction. And they’ll be very grateful if you ask about it.

Class ends. I’m putting my papers together. A girl comes up. She is short, with black hair. In those days, the ethnic make-up of Montclair was a bit different from today. Or as I used to say, half the girls were named Cathy. The K-Kathy’s were Irish, the C-Cathy’s were Italian. This was a C-Cathy.

 “Can I ask you a question?”

Goddamit, girl. Why the hell didn’t you ask during class? Didn’t you hear what I just said about asking questions? That if it’s not clear to you, then several other people also didn’t get it? Now I’m going to have to answer it for you and then, if I remember, answer it for the whole class next time.

That’s what I was thinking. What I said was, “Sure.”

“Were you on Jeopardy once?”

I was stunned. How had she discovered this fact that nobody else at Montclair knew? “Yes,” I say, “but that was years ago. How did you know?”

“My mom was on that show.”

I looked at her again and remembered — the woman from Bloomfield, the next town over from Montclair. “Oh, that’s right,” I said and added sympathetically. “She didn’t do very well, did she?”

Sometimes a student’s question is unique. And sometimes, we cannot control which audience sees which performance . . . and remembers it.

Not Ken Jennings, But . . .

January 13, 2020
Posted by Jay Livingston

With Jeopardy running its Big Three Showdown (Jennings, Holzhauer, Rutter) last week, people were telling their own Jeopardy stories. Here’s mine.

In 1972, I had just moved to New York. Most of the game shows were still here, and there were a lot of them — Jeopardy, Pyramid, Match Game, and others. Two friends from college had taken the test for Jeopardy. So I called the show. A few weeks later, I was sitting in a room in a nondescript midtown building with forty other people taking the test — paper and pencil, fifty questions, fill in the blank. It reminded me of high school. The only question I recall now was one that I knew I had missed — the capital of Wyoming. I looked it up later. Cheyenne.

In late January they called and told me to show up on February 9.

The host in those pre-Trebek years was Art Fleming, and the contestants instead of standing, sat behind desks. The dollar amounts were 1/20th the current rate — $10 to $50 in round one, $20 to $100 in Double Jeopardy.

The board was mechanical not electronic. The dollar amounts and questions were on square placards, almost like the scoreboard at Fenway, where guys behind the board  replace the 0 tile with a 1 when a team scores. When you selected a category and amount, “History for $30" for example, the $30 square would be mechanically (and often audibly)  yanked up to reveal the question on the card underneath.

Most important, you could ring in at any time. You didn’t have to wait for Art to finish reading the entire question. But finish it he would. So even if you rang the bell two seconds into the question, you would have the full reading time to think of the answer.

They taped a week’s worth of shows in a day.  My episode was a Friday, the last show they would do that day. The returning champion was a woman from Virginia. I had the middle seat, and to my left the other challenger, an Italian-American woman from Bloomfield, New Jersey.

I did well. I was ringing in quickly and getting most of the questions right. I even had a couple of lucky guesses on questions I wasn’t at all sure of.  At the end of the first round, I had $420, the champ had $40, and the woman from Bloomfield was at minus $10. (Remember, $100 then is like $2000 today.)

During the long commercial break before the Double Jeopardy round, assistants came out to adjust our make-up and give advice. “Try to ring in faster,” one of them said, trying to encourage the woman from Bloomfield. To me they said, “Could you try to smile a little bit more. People watching you win all this money want to think that you’re happy about it.”

(Please excuse the less-than-ideal photography. My girlfriend took pictures of the television.)

Going into Final Jeopardy, I was still way ahead — $880 to $160.  ($17,600 to $3200 in today’s Jeopardy dollars.) The woman from Bloomfield had rung in on only a few questions, and had gotten more wrong than right. She finished in the red. So it was just the two of us. Neither of us knew the Final answer (Joseph Lister), and I finished as the winner with $760.

I returned a week later as defending champion. “Did you tell your students?” asked Art in our 20-seconds of human interest. “No,” I said, “but I expect that word will get out.” I was wrong.

The competition was tougher this time, mostly in the person of Mary, born and raised in Oklahoma and now living in Pelham. Going into Final Jeopardy, she had $740 to my $560. (Again the third player had finished below zero.) The category was “state capitals,” but the question was really about theater. “The Western state capital that figures prominently in the musical ‘The Unsinkable Molly Brown.’”  

I had no idea. But I remembered the state-capital question I’d missed months before on the qualifying test. Maybe the Jeopardy producers had a thing for Wyoming. So I guessed Cheyenne. Mary also guessed — Denver, “the only Western capital I could think of,” she said later. I was wrong. She was right. Thus ended my career on Jeopardy.

That’s not quite the end of the story. There’s a sociological coda, which I hope to get to in the next post.