Posted by Jay Livingston
Others before him had done “vocalese” – instrumental jazz solos transcribed, set with lyrics, and sung. The best known was Eddie Jefferson’s “Moody’s Mood for Love” – James Moody’s solo on the Dorothy Fields - Jimmy McHugh song. But these were rare, almost novelty items. Hendricks took it to a new level. His vocal trio – Lambert, Hendricks, and Ross – recreated entire arrangements with lyrics to the entire recording
Here is Hendricks’s adaptation of Duke Ellington’s “Cottontail,” the 1940 recording featuring Ben Webster on tenor. The title – I have no idea why Ellington chose it – pretty much forced Hendricks into Beatrix Potter territory. But Hendricks put a hip musician frame to the tale, transforming Peter Rabbit into sort of a druggie.
Way back in my childhood“Boo” is 1940s slang for marijuana.
I heard a story so true
’bout a funny bunny
Stealing some boo from a garden he knew.
Out in the garden where carrots are dense
I found a hole in the fence.
Every mornin’ when things are still,
I crawl through the hole and eat my fill.
The other rabbits say I’m taking dares,
and maybe I’m wrong but who cares?
I’m a hooked rabbit! Yeah I got a carrot habit.
My favorite part in the Ellington recording is the chorus by the sax section (at 2:04 in the original recording). In the LHR version above, it starts at 1:54, and the voices are in unison rather than the close harmony of the Ellington’s sax section.
Thirty years later, Hendricks was still on his game, putting lyrics to one of the most famous jazz recordings, “Freddie Freeloader” from Miles Davis’s “Kind of Blue.” Writing lyrics to a John Coltrane “sheets of sound” solo is no easy task. Neither is singing it. But Hendricks does it, leaving the easier solos to singers who are technically better – Bobby McFerrin, Al Jarreau, and George Benson. It runs to nine minutes but it’s well worth listening to (here), especially if you’ve heard the original so many times over the years that you know every note
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