Posted by Jay Livingston
In the summer of 1964, you couldn’t turn on the radio without hearing “The Girl From Ipanema.” It was the hit single from the album Getz / Gilberto.
The Gilberto named on the album cover is João Gilberto, whose death was announced this week. He was one of the central figures in the creation of bossa nova, along with Antonio Carlos Jobim, Vinicius de Moraes (music and lyrics, respectively, for “The Girl From Ipanema”), and a few others.
But the Gilberto who this chart-topper made famous was his wife Astrid. DJ s would even refer to her as “The Girl From Ipanema.” João was left in the editing room. On the album, the song runs 5½ minutes. First João sings the original Portuguese lyric, then Astrud the English lyric, followed by Getz for a full chorus, Jobim on piano for half a chorus, with Astrud again singing the final 16 bars.
Radio stations wouldn’t play songs longer than three minutes, so the radio version cut João completely and all but eight bars of Getz’s solo.
Gilberto’s 1958 recording of “Chega de Saudade,” another Jobim-Vinicius composition, is one of the defining moments in bossa nova. It’s a wonderful song, or two songs really — a 32-bar section in C minor, followed by a complementary 36-bar section in C major.* (The minor-major change reflects the change in the lyrics from sad to hopeful.) The recording is just Gilberto accompanying himself on guitar. There’s only a bit of what he would do more of later in his career — singing slightly away from the beat, sometimes ahead, sometimes behind, so that you’re not sure if he’s ever going to get back in sync with the song.
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* Most sheet music versions, including lead sheets and guitar tabs, are in D.
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