Freestylin’

April 27, 2018
Posted by Jay Livingston

These poems
all very recent —
To me at least, I mean
I hear the influence
of, oh I don’t know,
Robert Creeley,
and perhaps
William Carlos Williams.
The style is infectious.

Little Boats

And all they do is scream ‘death to America, death to America.’
And by the way,
they’re not screaming it so much
anymore.
They were screaming it with him.¹
They don’t scream it with me. We haven’t seen
their little boats
circling our ships in the ocean lately,
because they know if they do circle the ships,
they’re not going to be there very longer.

 Businessman

Let me just tell you that Michael² is in business.
He's really a businessman
at fairly big businesses, I understand. And
I don’t know
his business,
but this doesn’t have to do with me. Michael
is a businessman. He’s got a business.
He also practices law.
I would say probably the big thing is
his business,
and they're looking at something having to do with
his business.
I have nothing to do with
his business.
I can tell you
he’s a good guy.

    I’ll Tell You What               

Well, I better not get into that,
because I may get in trouble.
Maybe I didn’t get her³
so much.
I’ll tell you what.
She has done
I got her a beautiful card. You know, I’m very busy
to be running out looking for presents, okay?
But I got her a beautiful card
and some beautiful flowers.
And she did a fantastic job with France.
I’ll tell you what,
the people of France are just
were spellbound by what happened with their great president,
who just left, Emmanuel,
and he is a wonderful guy
and with a wonderful wife.
they are both terrific people.
And, Brigitte
and we had a fantastic time.

1.  Barack Obama

2.  Michael Cohen

3.  Melania

Bob Dorough (1923 - 2018)

April 25, 2018
Posted by Jay Livingston

Phil Woods was a top jazz man, but his best known solo was as the unnamed sax player on Billy Joel’s “Just the Way You Are.” Bud Shank, another jazz reed man, did the anonymous flute solo on The Mamas and the Papas’s huge hit “California Dreamin.’” But the winner in the “widely heard but uncredited performances by jazz musicians” competition goes to Bob Dorough, who died Monday at age 94. He wrote and sang many of the numbers on Schoolhouse Rock – numbers like 8.

This performance is by jazz singer and pianist Blossom Dearie, but Dorough can be heard on other numbers like 3 and the bluesy 9 as well as “Conjunction Junction,” a title I couldn’t help borrowing for my skeptical post on Twersky and Kahneman’s “conjunction fallacy” (here).

His best-known song in the jazz world is “I’m Hip,” probably because of Dave Frishberg’s lyric, which includes the line, “When it was hip to hep I was hep.” Frishberg himself noted how hip the song was – nearly all the main notes in the melody are not in the underlying chord. (You can hear the songwriters performing it here.)

Another unusual but fine Dorough tune is “Nothing Like You,” with lyrics by Fran Landesman. Bassist Esperanza Spalding sings it here, and prefaces it by saying it’s “really fun and really hard.”

Vulture, as a sort of eulogy, has posted this list  of his best  “Schoolhouse Rock” songs, all more melodically conventional than his jazz tunes.

Earth Day — A Non-Environmental Recollection

April 22, 2018
Posted by Jay Livingston

Today is Julian Koenig’s birthday. He would have been 97. It’s also Earth Day.

Earth Day / Birthday. The rhyme is not a coincidence.

Koenig was an ad-man. The word “creative” gets tossed around pretty loosely in the ad world, but Koenig truly was. When environmentalists were planning their first big national event in 1970, Koenig offered to help. Surely he could come up with something better than the name they already had – “Environmental Teach-in.” The day of the event just happened to be his birthday, and the rhyme was a natural.  As the national director recalls,

He offered a bunch of possible names — Earth Day, Ecology Day, Environment Day, E Day — but he made it quite clear that we would be idiots if we didn’t choose Earth Day.

It worked for them. It worked for him.
   
Our paths — Koenig’s and mine —crossed a few years later, in the early seventies. How that happened is a story I told in brief in this blog years ago (here).    

Then, in 2013, the American Sociological Association gave its Excellence in the Reporting of Social Issues Award to Ira Glass and the staff of “This American Life.”  The awards ceremony was a panel discussion. Ira was there with three producers from the show. One of them was Sarah Koenig, Julian’s daughter. David Newman, one of the sociologists on the panel, said that what he liked best about the show was that he could use it to give his students the larger picture of social issues.

But Ira Glass, when it was his turn to speak, said that what the show thrived on was not issues but people. “Don’t pitch us a story about some issue; you have to have a character – a character who has an interesting story . . . and who comes across on tape.” (Not an exact quote, but that was the idea.)

After the panel ended and people were still milling about, I went up to Sarah Koenig, still sitting on the podium. “I have a character,” I said. “It’s an advertising guy I met when we worked together on this project in Florida. He had retired but he was just getting back into the business.” I looked at her to see if she was catching on. I couldn’t tell.

“We discovered that we both liked the track. But he really liked it. He’d buy the Racing Form every day, even days he didn’t go to the track.” I thought I detected a hint of interest in her expression.

“And he didn’t throw them out,” I continued.  “He had the back issues stacked up in the closets of his house.”

“I think I know this man,” she said smiling.

She said she’d ask her father if he’d remember me. She was sure he would. I was sure he wouldn’t. In any case, I never heard from her. But then, I never pitched any stories, and she got busy with other projects, like “Serial.”

What Have You Got Against Progress?

April 14, 2018
Posted by Jay Livingston

It’s hard to find a liberal politician these days. Hillary? Nope. Bernie? Not him either.
Nancy Pelosi, Chuck Schumer, and others of their generation used to be Liberals. No longer. They’re Progressives. And of course, so are newer faces like Cory Booker and Kamala Harris.

Is there a difference? In a NY Times op-ed today, “When Liberals Become Progressives,” Greg Weiner of Assumption College says Yes there is. He’s wrong. Or rather, if he’s right, he’s right only in his own particular definition of these words.

“Progressivism is inherently hostile to moderation because progress is an unmitigated good. There cannot be too much of it.” He sees Progressives as uncompromising, almost totalitarian. Progressivism is a steamroller flattening anyone and anything in its path to social improvements – tradition, the Constitution, individual rights; nothing is safe. “It supersedes the rights of its opponents. This is evident in progressive indifference to the rights of those who oppose progressive policies in areas like sexual liberation.”

I’m sure that Chuck and Nancy, Hillary and Bernie, Cory and Kamala and the rest would be surprised and delighted to learn that their power was so awesome.

Of course, Prof. Weiner knows what’s really going on. It’s a change of name, not of policy.* “In recent decades, the label ‘progressive’ has been resurrected to replace ‘liberal,’ a once vaunted term so successfully maligned by Republicans that it fell out of use.” Even as a name change, Weiner says, it “augurs poorly for Democrats.” He’s wrong. It was a brilliant bit of renaming and rebranding. It trades a label that was at best peripheral to American ideas and ideals for one that has a more central place in American culture.

The pantheon of American values includes ideals like Freedom, Equality, Success/Achievement, Democracy, Patriotism, and others. But no observer of American culture has ever seen Liberal as one of these terms that have such deep resonance in the hearts of Americans. That may have made it even easier for Republicans to turn “Liberal” into a slur.

But Americans do believe in Progress. Politicians can rail about ideas and policies that are liberal. But who will speak out against Progress? Back in the 20th century, the term was so unassailably positive that General Electric made it the core of their brand.** Progress was their most important product.

Yes, that’s conservative saint Ronald Reagan pitching progress. The idea of progress may have lost some of the sanctity it had in the 1950s, but it’s still highly positive. Not to Prof. Weiner. He still loves the “liberal” label. He says that those on the left “would do well, politically as well as philosophically, to revive it.” I wonder how many politicians (and their brand consultants) who are trying to win elections would agree with him?

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* Weiner does not mention any actual policies. Nor does he specify what he means by “the rights of those who oppose progressive policies in areas like sexual liberation.” Presumably, he means the right to discriminate against LBGTQ people.

** Back then, we spoke of “image” rather than “brand.” It’s really the same thing – how the public perceives the company. The main difference is that the word “image” suggests that the whole thing is a fake, an imaginary facade that PR guys have created to manipulate the public. “Brand,” by contrast, is as honest and unpretentious as a cowboy on a cattle ranch. This change from “image-mongers” to “brand consultants” is itself one of the great examples of rebranding.