Flatbush?

April 19, 2008
Posted by Jay Livingston

Brooklyn. The name evokes images of working-class New York. When Hollywood wants a no-nonsense, urban guy, they give us a cab driver with a “Brooklyn accent.” (Oddly, this is true even of movies set in Chicago or Los Angeles.) Brooklyn is the Dodgers, dem Bums.

Why then are people naming their daughters Brooklyn?

In Utah of all places, it has become one of the top ten names for girls, passing Ashley and Alyssa, and separated from Madison by only 17 little Utahennes. Nationwide Brooklyn was last seen in 67th place. That’s far behind Emily, of course, but until 1990 Brooklyn wasn’t even in the top 1000.

I have no explanation. Did some celebrities name their kid Brooklyn while I was out of the room? Well, yes, it turns out – a footballer and a Spice Girl. But that was in 1999, when the name had already climbed into the top 200.

Was Brooklyn a character in a movie? (The best explanation for the Madison boom is Splash. The movie came out in 1984; the name started taking off in the early 90s, when girls who had seen it as teenagers started having babies.)

There certainly seems to be something geographic going on. The places where Brooklyn has become popular – states like Utah and Idaho – are far from New York. As for parents in Canarsie, or Flatbush, or even within a few hours drive of the real Brooklyn, naming their kid Brooklyn, well, as the sign says . . . .

Science and Power

April 17, 2008
Posted by Jay Livingston

Statistician Miron Straf on the difference between statisticians who work in academia and those who work in Washington for the government.
Academic statisticians convince others of their conclusions by proof. Government statisticians convince others by power. That is one reason meetings are so different to them. Academic statisticians don’t need meetings to develop proofs. . . . Government statisticians need meetings so they can control the agenda or write up the report of conclusions.
“Mr. Statistician Schleps to Washington,” Chance, vol. 20, no. 4, 2007 ( no online version, at least none that I could find)

Government scientists relying on power rather than evidence – I wonder if this tendency holds not just in the social sciences but even in the hard sciences. And I wonder if it has become even more true during the Bush years. I suspect, of course, that the answer to both questions is Yes.

Hat tip to my brother Skip for sending me this article.

Who You Callin' Sophisticated?

April 15, 2008
Posted by Jay Livingston


“We are all ashamed,” he said, about the president’s lack of interest in culture . . . . “Look, we need a president who is cultivated.”

Obviously, the speaker is not American. He’s French, a writer, and he wistfully “recalled the sophistication of earlier presidents.” (The story is here in today’s New York Times.)

Sophistication doesn’t play well in American politics and culture. Consider Obama’s recent gaffe in saying that some Pennsylvanians were “bitter.” The attacks by critics who most wanted to score points claimed not that Obama was incorrect (which he may have been) but that he was “elitist.”

Here, being sophisticated, cultured, or intellectual translates to negative qualities – snobbishness and phoniness. “Puttin’ on airs,” as a distant generation might have said. In America we have to think that all tastes are equal, that none is superior to another. Since everything is equal, the person who pretends otherwise, the person who prefers Chateau Margaux to Bud Light, is being a phony and doing so only for purposes of making himself seem superior. And that’s just un-American.

Here in the land where more is better, it’s O.K. to have more money, a lot more money. It’s O.K. to have bigger and more expensive stuff (cars, houses), a lot bigger, a lot more expensive. It’s even O.K. to have a lot more power. But it’s not O.K. to suggest that what you have might be inherently better, at least not if that implies sophistication. If you argue that Timbaland is better than Celine Dion, that’s cool. But if you prefer Brahms to Celine Dion, you’re a pretentious snob, an elitist.

I was reminded of this anti-elitism last week in class when I asked students to bring in artifacts of American culture for show and tell. One girl brought the DVD of “The Nanny Diaries.” She clicked on the scene where we see Annie (the nanny) in the kitchen struggling to prepare the complicated French recipe that her haughty employer has demanded. It’s the Cinderella scenario basically, but in the US version what makes the wicked stepmother figure really wicked is that she affects sophisticated tastes.

Annie also has to take care of the woman’s son, an insufferable brat (what else could he be with a mother who has such pretentious tastes?). Yet, in the span of this three-minute scene, Annie manages to transform the brat into a good , plucky American kid. How? She has him eat peanut butter. None of this fancy French food, and no plate or bread either – just peanut butter directly out of the jar. The moral is clear (though it’s spelled out again later in the film in case you didn’t get it): simple American kid-food, good; sophisticated French adult-food, bad.

Of course, things change – cultures are not monolithic, nor are they static – and there may some gradual movement towards convergence on both sides of the Atlantic. In France, they elected Sarko l’Americain, President Bling-Bling, who, shortly after taking office, married Carla Bruni, a pop singer with a relaxed-fit relationship to pitch. More recently, he visited the Vatican in company with “an exceptionally crude French stand-up comic.” For our part in the US, we now have Starbuck’s just about everywhere selling expensive coffees with names that we once might have rejected as too foreign sounding. “Latte” is becoming as American as pizza.

Smart – and Successful – People

April 13, 2008
Posted by Jay Livingston
“Smart People” is not a great movie, but if you’re an academic, I guess you have to see it if only for Dennis Quaid as a paunchy, pompous, florid, self-absorbed, dyspeptic, ill-groomed, and thoroughly unlikeable English professor at Carnegie Mellon. (If they can do this to Dennis Quaid, is anybody safe?) It’s not like looking in the mirror (I hope), but it might be like looking around the Faculty Senate meeting.

The movie is full of improbabilities. How could such a man ever have attracted a woman pretty as the wife, now deceased, whose pictures we see and whose memory he clings to, Adrian Monk style? And what could Sarah Jessica Parker, an emergency room doctor, now see in him?

The substance of the movie is in the characters – how they are revealed to us, how they interact, how they come to some self-awareness, and how they even change. But then why inject the element of career success into everything? American movies have a concern with success that borders on obsession or compulsion. About a year ago, I noted that “Music and Lyrics” a romantic comedy, pretended to be about love but was really about success.

The people who made “Smart People” felt compelled to make it about success, not just for the professor, but even for two supporting characters. (Sarah Jessica Parker is already a success.) I don’t want to give the plot away, so I’ll just say that in the case of the professor and his son, the success is both improbable and not at all necessary for the story. (The same improbable, unnecessary success haunts Steve Martin’s “Shopgirl,” which starts off being about very ordinary people, as the title implies, but eventually even the secondary characters become stars.) Only Thomas Haden Church, as Quaid’s ne’er-do-well adoptive brother, remains resolutely unsuccessful. (And what’s with Ellen Page in yet another film about an unplanned, unwanted pregnancy carried to term? I guess she’s not going to be NARAL’s woman of the year.)

Give the professor a less successful, less pretty love interest, give him a more modest bit of success, take away the improbable accidental pregnancy and let the relationship develop on character rather than circumstance, and you’d have a better movie. Of course, such changes might be downright unAmerican.