Art Blakey Centennial

October 11, 2019
Posted by Jay Livingston

Art Blakey, the great jazz drummer, was born one hundred years ago today in Pittsburgh.

There are only two drummers who I could identify in a blindfold test. Art Blakey is one of them. The other is Max Roach, who said of Blakey:

Art was an original. He’s the only drummer whose time I recognize immediately. And his signature style was amazing; we used to call him ‘Thunder.’ When I first met him on 52d Street in 1944, he already had the polyrhythmic thing down. Art was the perhaps the best at maintaining independence with all four limbs. He was doing it before anybody was. And he was a great man, which influenced everybody around him. [quoted in the Times obituary, October 1990]

He kept the Jazz Messengers going for thirty-five years. He would find talented young players who would, in a couple of years, become famous (well, jazz-famous) and go off on their own (Wynton Marsalis joined the group when he was seventeen). Blakey would then replace them with new talent, and the cycle would repeat.

His best-known album is probably “Moanin’”, released in 1959, an incredibly rich year for jazz. (See the daily entries at The 1959 Project . The video below begins with one of the tunes from that album, not the best-known — that distinction goes to the title tune by pianist Bobby Timmons — but “Along Came Betty” by the sax player Benny Golson, who wrote many other tunes for the Messengers and basically functioned as the group’s musical director. The video is from 1988 with a completely different cast, except for Blakey.

As the tune ends (at about 7:00), Blakey takes a one-minute drum solo followed by “I Get a Kick Out of You” in the rhythmically complicated Clifford Brown - Max Roach arrangement from 1954 with a minute and a half of pure Blakey at the end.

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