The Worst: Agamemnon . . . and Maybe Some Other Leader

April 26, 2020
Posted by Jay Livingston

“I’m not stating parallels,” says Madeline Miller, who writes novels using characters from Greek myth, “but the ancients had a saying, ‘Nothing new under the sun.” She was being interviewed by Ezra Klein in his podcast. This comes at about the one hour mark.



Here’s a slightly edited transcript.

If I were to name the worst person in the Iliad, Agamemnon wins, hands down. And speaking of our current situation, the Iliad begins with a plague, because Agamemnon has taken as a war prize a daughter of a priest of Apollo. The priest of Apollo shows up to take his daughter back, and he offers Agamemnon fair ransom. When someone offers you fair ransom in the ancient world, you’re supposed to give back whatever the thing is.

Agamemnon not only does not give the girl back, he insults the priest and sends him away with harsh words and threats. So the priest of course — this is not very smart on Agamemnon’s part — goes to the god Apollo and says, “Punish the Greeks.”

So Apollo sends down a plague. For nine days, people die all across the Greek army. The fires burning the bodies are burning constantly.

And Agamemnon says nothing and does nothing. Even though everyone knows whose fault it is, he does nothing.

Finally, Achilles says, “OK, we’ve gotta get everybody together. If Agamemnon won’t act, I will act.” And he gets everybody together, and he asks the priests, “Hey priests, what do you think’s going on. Do you think someone offended a god?” And the priest says, “Yes, of course. It’s Agamemnon.”

And Agamemnon blows up at Achilles for embarrassing him even though it was completely his fault.

After Miller’s disclaimer that she’s not stating parallels, Ezra Klein adds, “Yes, there’s a Greek dimension to some of the national figures on the stage right now.” He and Miller are talking about him whose name, apparently, must not be spoken. A man who manages a plague poorly, thereby costing many lives; who refuses to acknowledge his error or do anything to correct it; and who lashes out angrily at those who do say clearly that he is at fault.

We all recognize Trump’s narcissism. And Agamemnon’s. But what about Achilles, who Madeline Miller seems quite fond of? He is the hero of her first novel, The Song of Achilles. In the interview she notes that Achilles, unlike the other fighters in the Trojan war, “is their voluntarily. Everyone else is bound by this oath . .  But he’s just there for the kleos, for the glory. . .  He’s given a choice: you can live a long and happy life, and no one will ever remember your name. Or you can die young and be famous forever.”

Miller finds Achilles’ choice “extremely compelling.” But it proceeds from the same narcissistic rewards that motivate Agamemnon and Trump – glory, reputation, and the defeat of enemies rather than the satisfactions that come from living with others.

The interview with Miller brought to mind sociologist Philip Slater’s book on ancient Greece, The Glory of Hera (1968)*. Slater draws a portrait of Greek males —  gods, leaders, and even less celebrated men — as mostly examples of what we would today call Narcissistic Personality Disorder. “Quarrelsome as friends, treacherous as neighbors, brutal as masters, faithless as servants, shallow as lovers.. . He [the narcissist] will feel that if he is not a great hero he is nothing, and pride and prestige become more important than love.” For Achilles, these were more important than life. “Nothing seemed to have meaning to the Greek unless it included the defeat of another.”

So much winning.

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* Slater’s book received mixed reviews, especially in the provinces ruled by traditional classicists — what Slater called “the Un-Hellenic Activities Committee.” That was partly because of his Freudian take on Greek narcissism emphasizing mother-son relations. But listen to Madeline Miller talk about youthful Achilles, petulant and angry at Agamemnon. “He gets his mom to talk to Zeus so that the Trojans start winning and the Greeks all start dying.” Ezra Klein interrupts to point out that “the greatest warrior in Greek history gets mad and calls his mom.” Maybe Slater was on to something.

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